Number 1, 1950 (Lavender Mist), Jackson Pollock, 1950
Jackson Pollock, retratoJackson PollockEstados Unidos, 1912–1956

Number 1, 1950 (Lavender Mist)

1950 · Painting

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Galeria Nacional de Arte

Washington, D.C., Estados Unidos

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Lavender Mist is a painting by Abstract Expressionist painter Jackson Pollock. It is a classic example of his poured (or “drip”) style of painting. Painted in the summer of 1950, it was first exhibited later that year at the Betty Parsons Gallery in New York City. As art historian Gail Levin writes, “Running from 28 November through 16 December 1950, the exhibition included thirty-two works, several of them now considered Pollock's best: Autumn Rhythm, Lavender Mist, and One.” Lavender Mist has been in the permanent collection of the National Gallery of Art in Washington, D.C., since 1976.

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Pormenores

Número de inventário
1976.37.1

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Fontes

Entretanto, na vida de Jackson Pollock

A vida inteira
  1. 1948

    A sensational show at Betty Parsons

    Pollock's 1948 exhibition at the Betty Parsons Gallery was a sensation and a financial success. He was then able to get a larger studio.

  2. 8 August 1949

    Life asks if he is the greatest living US painter

    On 8 August 1949 Life published an article on Pollock under a headline asking whether he was the greatest living painter in the United States.

  3. 1950

    Hans Namuth photographs and films Pollock at work

    In 1950 the young photographer Hans Namuth photographed and filmed Pollock at work. Pollock had promised to start a new painting for the session but said it was already finished — then, as if realising it was not, he flung paint onto the canvas for about half an hour in an almost dancelike movement.

  4. 1950

    “No. 12, 1949” at the Venice Biennale

    Pollock's “No. 12, 1949”, a medium-sized drip painting, was shown in the United States Pavilion at the 1950 Venice Biennale.

  5. from 7 March 1952

    First Paris exhibition at Paul Facchetti's

    From 7 March 1952 the first exhibition of Pollock's works of 1948–1951 in Paris and in Europe was held at Paul Facchetti's studio, arranged through the mediation of Pollock's close friend Alfonso Ossorio and the art historian Michel Tapié.

  6. 9 de abril de 1952 – 27 de julho de 1952

    Exhibition: 15 Americans

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