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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Art Institute of Chicago/
  3. MZ 30,17
MZ 30,17, Kurt Schwitters, 1930
Kurt Schwitters, retratoKurt SchwittersAlemanha, 1887–1948

MZ 30,17

1930 · Drawing and Watercolor

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Art Institute of Chicago

Chicago, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1930 · aos 43 anos
18871948
Número de inventário
2005.420

No catálogo

Desenhos e aguarelasModernismoSéculo XXVanguardaAlemanha

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — © the artist or rights holder

Entretanto, na vida de Kurt Schwitters

A vida inteira
  1. 1920s

    Lecture and recital tours across Europe

    Together with other members of the international avant-garde — Jean Arp, Raoul Hausmann and Tristan Tzara — he organises and takes part in tours of provocative evening recitals and lectures in Czechoslovakia, the Netherlands and Germany.

  2. 1923–1932

    Publishes the periodical ‘Merz’

    The periodical appears from 1923 to 1932, each issue devoted to a central theme: no. 5 (1923) is a portfolio of prints by Jean Arp, and double issue 8/9 (1924) is edited and typeset by El Lissitzky, whose friendship proves particularly influential and brings Schwitters’s pictures closer to Constructivism. In all, 21 issues appeared; by numbering, the last is no. 24.

  3. 1929–1934

    Official typographer to the city council

    From 1929 to 1934 he is the official typographer to Hanover town council; by the late 1920s he is a well-known typographer (his best-known work is the catalogue for the Dammerstock estate in Karlsruhe) and a member of the Deutscher Werkbund. In 1934 he loses his contract with the council.

  4. 1932

    Records ‘An Anna Blume’ and the ‘Ursonate’ on disc

    In 1932 both works — the poem ‘An Anna Blume’ and the ‘Ursonate’ — are recorded on a gramophone record in the author’s own performance.

Mais obras de Kurt Schwitters

Todas as obras
Picture with Light Center (Bild mit heller Mitte), Kurt Schwitters, 1919

Picture with Light Center (Bild mit heller Mitte)

1919 · Museu de Arte Moderna

Untitled, Kurt Schwitters, c. 1946

Untitled

c. 1946 · Art Institute of Chicago

For the Modern, Kurt Schwitters, 1947

For the Modern

1947 · Art Institute of Chicago

Drawing A2: Hansi, Kurt Schwitters, 1918

Drawing A2: Hansi

1918 · Não exposta · Museu de Arte Moderna

Untitled, Kurt Schwitters, 1919

Untitled

1919 · Não exposta · Galeria Nacional de Arte

Revolving, Kurt Schwitters, 1919

Revolving

1919 · Não exposta · Museu de Arte Moderna

Anna Blume: Dichtungen (Die Silbergäule, vol. 39/40), Kurt Schwitters, 1919

Anna Blume: Dichtungen (Die Silbergäule, vol. 39/40)

1919 · Não exposta · Museu de Arte Moderna

One One (Eins Eins), Kurt Schwitters, 1919–20

One One (Eins Eins)

1919–20 · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942