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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Mrs. Thomas Scott Jackson
Mrs. Thomas Scott Jackson, George Romney, c. 1770/1773
George Romney, retratoGeorge RomneyInglaterra, 1734–1802

Mrs. Thomas Scott Jackson

c. 1770/1773 · Painting

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 9 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

c. 1770/1773
17341802
Número de inventário
1937.1.94

O que mostra

FemaleJackson, Mrs. Thomas Scott

No catálogo

PinturasÓleoPintura britânicaRococóNeoclassicismoSéculo XVIIIBritishRetrato

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access

Entretanto, na vida de George Romney

A vida inteira
  1. 1768

    Meets the dramatist Richard Cumberland

    Romney paints Cumberland’s portrait, and the dramatist helps to introduce him to influential patrons. He also becomes friends with the miniature painter Ozias Humphry.

  2. from 1768

    Stays outside the Royal Academy

    Romney is never invited to join the Royal Academy (formed in 1768), although he is urged to exhibit there; he never applies, holding that a good artist should succeed without membership. This costs him valuable royal patronage; only near the end of his life does he express the slightest regret.

  3. 1769

    Exhibits the portrait of Sir George Warren and family

    His large portrait of Sir George Warren and family, shown at the Free Society of Artists, is greatly admired and lays the foundations of his future popularity; 1769 proves a breakthrough year.

  4. March 1772

    Sets out for Italy with Ozias Humphry

    Now secure enough financially, he sets out to study the great artists of the past, as he had always intended, travelling through Paris, Lyon, Marseille, Nice, Genoa, Livorno, Florence and Pisa.

  5. 1772

    Studies Raphael’s frescoes in Rome with the Pope’s leave

    He reaches Rome in June; a letter of introduction lets him meet Pope Clement XIV, who permits him to set up scaffolding in the Apostolic Palace to study Raphael’s frescoes. He spends eighteen months in Rome making studies and sketches of the great works on view.

  6. c. 1775

    Commissions from the Duke of Richmond and his circle

    Charles Lennox, 3rd Duke of Richmond, and his circle of friends offer Romney commissions, which turn the tide of the artist’s fortunes permanently in his favour.

Mais obras de George Romney

Todas as obras
Lady Elizabeth Stanley (1753–1797), Countess of Derby, George Romney, 1776–78

Lady Elizabeth Stanley (1753–1797), Countess of Derby

1776–78 · Museu Metropolitano de Arte

Miss Juliana Willoughby, George Romney, 1781-1783

Miss Juliana Willoughby

1781-1783 · Galeria Nacional de Arte

Portrait of Mrs Harrit Greer, George Romney, 1781

Portrait of Mrs Harrit Greer

1781 · Hermitage

Mrs. Davies Davenport, George Romney, 1782-1784

Mrs. Davies Davenport

1782-1784 · Galeria Nacional de Arte

Gestikulierende Frauengestalt, George Romney

Gestikulierende Frauengestalt

Albertina

Mrs Johnstone and her Son (?), George Romney, 18th century

Mrs Johnstone and her Son (?)

18th century · National Gallery

Tom Hayley as Robin Goodfellow, George Romney, 18th century

Tom Hayley as Robin Goodfellow

18th century · National Gallery

Twee vrouwenfiguren tussen bomen, George Romney, 1744 - 1767

Twee vrouwenfiguren tussen bomen

1744 - 1767 · Museu Estatal de Amesterdão

Vizinhas de sala: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre o mesmo tema · Female

Todas as obras sobre o tema
Mrs. Gunn on Porch, Independence, California, Ansel Adams, 1944, printed 1981

Ansel Adams

Mrs. Gunn on Porch, Independence, California, 1944, printed 1981

Não exposta · Galeria Nacional de Arte

Spanish American Woman, near Chimayo, New Mexico, Ansel Adams, 1937, printed 1981

Ansel Adams

Spanish American Woman, near Chimayo, New Mexico, 1937, printed 1981

Não exposta · Galeria Nacional de Arte

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Galeria Nacional de Arte

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Galeria Nacional de Arte

Nude in the Studio, Pablo Picasso, 1936/1937

Pablo Picasso

Nude in the Studio, 1936/1937

Não exposta · Galeria Nacional de Arte

Woman at the Seashore (Femme au bord de la mer), Pablo Picasso, 1923 or 1924

Pablo Picasso

Woman at the Seashore (Femme au bord de la mer), 1923 or 1924

Não exposta · Galeria Nacional de Arte

Variation on Delacroix's "Women of Algiers": IX, Pablo Picasso, 1955

Pablo Picasso

Variation on Delacroix's "Women of Algiers": IX, 1955

Não exposta · Galeria Nacional de Arte

Variation on Delacroix's "Women of Algiers": IV, Pablo Picasso, 1955

Pablo Picasso

Variation on Delacroix's "Women of Algiers": IV, 1955

Não exposta · Galeria Nacional de Arte