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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Art Institute of Chicago/
  3. Mother and Child in Harlem
Mother and Child in Harlem, Weegee,, October 18, 1943
Weegee, retratoWeegeeEstados Unidos, 1899–1968

Mother and Child in Harlem

October 18, 1943 · Photograph

Pormenores

October 18, 1943 · aos 44 anos
18991968
Número de inventário
2022.262

Mais obras de Weegee

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Vizinhas de sala: Art Institute of Chicago

Página do museu

Sobre o mesmo tema · African American

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Art Institute of Chicago

Chicago, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

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há 3 dias
Neste estado desde
19 de ago. de 2026
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African AmericanMother and childRetratoPortraits: African American subject

No catálogo

FotografiasProva de gelatina e prataModernismoSéculo XX

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — © the artist or rights holder
Anthony Esposito, Accused "Cop Killer", Weegee, January 16, 1941, printed 1960s

Anthony Esposito, Accused "Cop Killer"

January 16, 1941, printed 1960s · Não exposta · Galeria Nacional de Arte

Sleeper in a Bar, Weegee, 1939

Sleeper in a Bar

1939 · Não exposta · Galeria Nacional de Arte

Tenement Fire, Weegee, December 14, 1939

Tenement Fire

December 14, 1939 · Não exposta · Museu de Arte Moderna

Suspect Taken to Jail, Weegee, c. 1940

Suspect Taken to Jail

c. 1940 · Não exposta · Galeria Nacional de Arte

The Dead Man's Wife Arrived and Then She Collapsed, Weegee, c. 1940

The Dead Man's Wife Arrived and Then She Collapsed

c. 1940 · Não exposta · Galeria Nacional de Arte

The Flower Peddler Near the Old Metropolitan Opera, Weegee, c. 1940

The Flower Peddler Near the Old Metropolitan Opera

c. 1940 · Não exposta · Galeria Nacional de Arte

Self Portrait in Police Van, Weegee, c. 1940

Self Portrait in Police Van

c. 1940 · Não exposta · Museu de Arte Moderna

Coney Island, Weegee, July 22, 1940

Coney Island

July 22, 1940 · Não exposta · Museu de Arte Moderna

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Plate Number 6. Walking, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 6. Walking, 1887

Não exposta · Galeria Nacional de Arte

Plate Number 126. Descending stairs, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 126. Descending stairs, 1887

Não exposta · Galeria Nacional de Arte

Nurse Midwife Maude Callen, New Dresses, W. Eugene Smith, 1951

W. Eugene Smith

Nurse Midwife Maude Callen, New Dresses, 1951

Não exposta · Galeria Nacional de Arte

Langston Hughes, Chicago, Gordon Parks, December 1941

Gordon Parks

Langston Hughes, Chicago, December 1941

Não exposta · Galeria Nacional de Arte

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), Gordon Parks, October 1943

Gordon Parks

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), October 1943

Não exposta · Galeria Nacional de Arte

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), October 1943

Não exposta · Galeria Nacional de Arte

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), Gordon Parks, October 1943

Gordon Parks

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), October 1943

Não exposta · Galeria Nacional de Arte

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), October 1943

Não exposta · Galeria Nacional de Arte