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  3. More Pigs Than Teats
More Pigs Than Teats, James Gillray, published March 5, 1806
James Gillray, retratoJames GillrayReino Unido, 1757–1815

More Pigs Than Teats

published March 5, 1806 · Print

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Art Institute of Chicago

Chicago, Estados Unidos

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Verificado
há 3 dias
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19 de ago. de 2026
Fonte
O museu
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Pormenores

published March 5, 1806 · aos 49 anos
17571815
Número de inventário
1928.715

No catálogo

GravurasÁgua-forteNeoclassicismoRomantismoSéculo XIXInglaterra

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — CC0

Entretanto, na vida de James Gillray

A vida inteira
  1. 1792–1810

    Living with his publisher Hannah Humphrey

    Throughout the period of his fame Gillray lives with Miss (often called Mrs) Hannah Humphrey, his publisher and print seller, whose shop was first at 227 Strand, then in New Bond Street, then in Old Bond Street and finally in St James’s Street; his plates are exposed in her shop window, where eager crowds examine them. It is believed that he several times thinks of marrying her and that on one occasion, on their way to the church, he says this is a foolish affair, that they live very comfortably together and had better let well alone; there is no evidence to support the stories scandalmongers invent about them.

  2. 1792–1810

    His peak years: political and social satires

    He issues the bulk of his etched political and social satires between 1792 and 1810: the targets include George III and Queen Charlotte, the Prince of Wales, Fox, Pitt the Younger, Burke, Napoleon, prime ministers and generals, and the prints circulate throughout Britain and Europe. After examining some of the sketches the king remarks that he does not understand these caricatures, and Gillray takes his revenge with A Connoisseur Examining a Cooper, satirizing at once the king’s pretensions to knowledge of art and his miserly habits. Nearly 1000 caricatures are attributed to him, and some consider him the author of as many as 1600 or 1700.

  3. 1806

    His eyesight begins to fail

    His eyesight begins to fail and the spectacles he starts wearing are unsatisfactory; unable to work to his previous high standards, he becomes depressed and starts drinking heavily, and as a result of the drinking suffers from gout throughout his later life.

Mais obras de James Gillray

Todas as obras
The Graces in a High Wind – a Scene taken from Nature in Kensington Gardens, James Gillray, May 28, 1810

The Graces in a High Wind – a Scene taken from Nature in Kensington Gardens

May 28, 1810 · Museu Metropolitano de Arte

Portret van Hyder Ali, James Gillray, 1776

Portret van Hyder Ali

1776 · Museu Estatal de Amesterdão

Portret van Engelbert François van Berckel, James Gillray, 1781

Portret van Engelbert François van Berckel

1781 · Museu Estatal de Amesterdão

Spotprent op Sir Richard Worsley, James Gillray, 1782-03-14

Spotprent op Sir Richard Worsley

1782-03-14 · Museu Estatal de Amesterdão

Dansende man en vrouw onder een boom, James Gillray, 1784

Dansende man en vrouw onder een boom

1784 · Museu Estatal de Amesterdão

Man en vrouw vertrekken uit een dorp, James Gillray, 1784

Man en vrouw vertrekken uit een dorp

1784 · Museu Estatal de Amesterdão

A New Way to Pay the National-Debt, James Gillray, 1786

A New Way to Pay the National-Debt

1786 · Não exposta · Galeria Nacional de Arte

Het feest van de vrek, James Gillray, 1786-03-06

Het feest van de vrek

1786-03-06 · Museu Estatal de Amesterdão

Vizinhas de sala: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942