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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  2. Museu Vitória e Alberto/
  3. Monsoon in Bombay
Monsoon in Bombay, Sayed Haider Raza, ca. 1947 - ca. 1949
SSayed Haider Raza

Monsoon in Bombay

ca. 1947 - ca. 1949 · Painting · 30 × 42.2 cm

Sobre a pintura

The artist has depicted Flora Fountain in the rain. The fountain is a famous sculptural landmark in southern Bombay.

Syed Haider Raza (1922) is one of the most important contemporary artists of India. He was an influential member of the Progressive Artists' Group (PAG). PAG was one of a number of Left-wing groups that were active in the 1930-40s Indian cultural scene. In this context, theatre professionals, writers and visual artists united under the 'progressive' banner and loosely endorsed Left-wing ideals to produce and circulate art together. PAG, founded in Bombay in 1947, included artists Francis Newton Souza, Krishnaji Howlaji Ara, Syed Haider Raza, Hari Ambadas Gade and Sadanand Bakre. PAG members rejected the nationalist art propounded by the Bengal School and embraced the Surrealist, Expressionist, Primitivist and Cubist styles of the international avant-gardes.

Continuar a ler

Raza was born in the village of Barbaria in Madhya Pradesh. In 1947, he joined PAG and developed a bold, colour-rich abstract style. In 1950 the artist won a French government scholarship and went to study painting at the Ecole Nationale des Beaux-Arts in Paris. Here, he continued experimenting with western modernist visual idioms moving away from Expressionism and developing an entirely abstract visual language.

Museu Vitória e Alberto

Pormenores

Número de inventário
IS.91-1987

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Rain

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Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

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Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Art Institute of Chicago

Nachtelijke regen te Karasaki, Katsushika Hokusai, 1809 - 1814

Katsushika Hokusai

Nachtelijke regen te Karasaki, 1809 - 1814

Museu Estatal de Amesterdão

Watching out my kitchen table window for five years now, first leaves on ailanthus trees, rainy day strong wind—I’d snapped photos nearly every week watching the seasons change—here May 18, 1989 from East 12th Street, Lower East Side Manhattan., Allen Ginsberg, 1989, printed 1994

Allen Ginsberg

Watching out my kitchen table window for five years now, first leaves on ailanthus trees, rainy day strong wind—I’d snapped photos nearly every week watching the seasons change—here May 18, 1989 from East 12th Street, Lower East Side Manhattan., 1989, printed 1994

Não exposta · Galeria Nacional de Arte

The Second Day of the Creation, M.C. Escher, 1925

Maurits Cornelis Escher

The Second Day of the Creation, 1925

Não exposta · Galeria Nacional de Arte

Regen op het land, Camille Jacob Pissarro, 1879

Camille Jacob Pissarro

Regen op het land, 1879

Museu Estatal de Amesterdão

The Street at Night in the Rain, Pierre Bonnard, Ambroise Vollard, 1897/1898 (published 1899)

Pierre Bonnard

The Street at Night in the Rain, 1897/1898 (published 1899)

Não exposta · Galeria Nacional de Arte

The Square at Night (Place le soir), Pierre Bonnard, Ambroise Vollard, 1899

Pierre Bonnard

The Square at Night (Place le soir), 1899

Não exposta · Galeria Nacional de Arte

Het station Tsuchiyama, Utagawa Hiroshige, in or after 1843 - in or before 1845

Utagawa Hiroshige

Het station Tsuchiyama, in or after 1843 - in or before 1845

Museu Estatal de Amesterdão