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InícioMapaCatálogo
  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Meditation
Meditation, Roman Verostko, 1989
RRoman VerostkoEstados Unidos

Meditation

1989 · Drawing

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a obra

Roman Verostko, born in Western Pennsylvania in 1929, maintains an experimental studio in Minneapolis where he has developed original algorithmic procedures for creating his art. Having been active as an exhibiting artist since 1963, his earliest use of electronics consisted of synchronized audio-visual programs dating from 1967-68. Aware of the awesome power of algorithmic procedure he began experimenting with code and exhibited his first coded art programs in the early 1980's. In 1987 he modified his software with interactive routines to drive paint brushes mounted on a pen plotter’s drawing arm, (see references).

Continuar a ler

This work is an original drawing which is "one-of-kind". Each line was drawn on a plotter following the instructions given by Roman's program, Hodos. For this special edition, marking the opening of 'Pathways' at Honeywell, Roman prepared a data file to control the parameters. Following a number of experimental runs with program refinements, he made a final setting. The plotter worked around the clock for several days yielding a remarkably rich and varied series of drawings.

The red seal imprint was hand stamped with one of several seals that were made for the artist when he taught in China. The Chinese name, Ke Rong-Meng, was given to the artist by his Chinese teacher. Many of the drawings in this series show a strong structural use of the void in relation to a cluster of drawing activity. This and other features of this series, have an oriental flavour which the artist has consciously used in designing the piece. For the artist this series has been a 'meditation'.

This kind of edition, with each drawing having a unique form, demonstrates how "software art" uses the computer as an information enriched medium. It also clearly demonstrates how "software art" works in a way analogous to "genotype". Roman's software, Hodos, is a code carrying the information necessary to generate a form. While the works realised with this code bear a strong family resemblance, each one has unique, individual qualities. This is why this kind of computer assisted work is called "epigenetic" - its processes are analogous to biological epigenesis. This should not surprise us since biological analogues commonly crop up in relation to software as in the recent spread of software "virus".

(cit.: artist's own statement accompanying the work, Jan 13, 1989, Minneapolis)

Museu Vitória e Alberto

Pormenores

Número de inventário
E.1089-2008

No catálogo

Desenhos e aguarelasArte contemporâneaSéculo XXMinneapolis

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London

Mais obras de Roman Verostko

Todas as obras
Untitled, Roman Verostko, 1967

Untitled

1967 · Não exposta · Museu Vitória e Alberto

Untitled, Series: 20 Pathway, Roman Verostko, 1987

Untitled, Series: 20 Pathway

1987 · Não exposta · Museu Whitney de Arte Americana

Untitled, Roman Verostko, 1987

Untitled

1987 · Não exposta · Museu Vitória e Alberto

Pathway Series, Roman Verostko, 1987

Pathway Series

1987 · Não exposta · Museu Vitória e Alberto

Untitled, Roman Verostko, 1987

Untitled

1987 · Não exposta · Museu Vitória e Alberto

Untitled, Series: 11 Pathway, Roman Verostko, 1988

Untitled, Series: 11 Pathway

1988 · Não exposta · Museu Whitney de Arte Americana

Gaia Series, Roman Verostko, 1989-2003

Gaia Series

1989-2003 · Não exposta · Museu Vitória e Alberto

Pathway Series, Bird 2, Roman Verostko, 1990

Pathway Series, Bird 2

1990 · Não exposta · Museu Vitória e Alberto

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