Meditation, Angelica Kauffman, late 18th century
Angelica Kauffmann, retratoAngelica KauffmannSuíça, 1741–1807

Meditation

late 18th century · Drawing

Posso vê-la?

Não exposta de momento

Onde está «Meditation» hoje? Coleção: Museu Vitória e Alberto, Londres. Não exposta de momento. Verificado 25 de setembro de 2026.

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
Neste estado desde
Fonte
O museu

Pormenores

Número de inventário
D.330-1886

No catálogo

Fontes

Na vida de Angelica Kauffmann

A vida inteira
  1. 1766

    Friendship with Joshua Reynolds

    Reynolds became Kauffman’s firmest friend: in his pocketbooks she often appears as “Miss Angelica” or “Miss Angel”; in 1766 he painted her portrait, and she answered with her portrait of Reynolds.

  2. 1766

    Arrives in London

    In June 1766 Kauffman arrived in London, having been persuaded by Lady Wentworth to go with her. Lady Wentworth’s rank opened society to her, and the royal family showed her particular favour.

  3. 1767

    Marries the impostor “Count de Horn”

    In 1767 Kauffman married an impostor calling himself Count Frederick de Horn; the marriage ended in scandal: by one account it was declared void within a few months, by another the couple separated the following year.

  4. 1768

    Founding member of the Royal Academy of Arts

    In December 1768 Kauffman became one of the founding members of the Royal Academy of Arts in London, one of only two women among them.

  5. 1769

    Three pictures at the Royal Academy exhibition

    At the Academy’s exhibition of 1769 Kauffman showed “Hector Taking Leave of Andromache”, “Venus Directing Aeneas and Achates to Carthage” and “Achilles Discovered by Ulysses among the Daughters of Lycomedes”; all three were bought by the patroness Theresa Parker.

  6. 1781

    Returns to Rome

    Disappointed by the relative apathy of the British towards history painting, Kauffman left London, where she had lived for fifteen years, in 1781, after her marriage to Antonio Zucchi, and returned to Rome, where that genre was better known and enjoyed the patronage of patrons and collectors.

Todas as obras

No mesmo museu: Museu Vitória e Alberto

Página do museu