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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  2. Museu Smithsoniano de Arte Americana/
  3. Mary
Mary, Henry Ossawa Tanner, ca. 1914

Mary

ca. 1914 · Painting · 115.5 × 88.2 cm

Sobre a pintura

Henry Ossawa Tanner saw Mary, mother of Jesus, as a symbol of faith and fortitude. He painted many images of her and created this particular work during a difficult and trying time in his life. In 1914, the year his mother died, the outbreak of World War I forced his family to flee France for England. In this scene, Mary awaits the arrival of the angel who will tell her that she bears the Son of God. The glowing lamp, a symbol of God’s presence, adds mystery and suspense to the painting.

Museu Smithsoniano de Arte Americana

Pormenores

ca. 1914
18591937
Número de inventário
1991.102

Mais obras de Henry Ossawa Tanner

Todas as obras

Vizinhas de sala: Museu Smithsoniano de Arte Americana

Página do museu

Sobre o mesmo tema · Religion

Todas as obras sobre o tema
Henry Ossawa Tanner, retratoHenry Ossawa TannerEstados Unidos, 1859–1937

Será possível contemplá-la?

Desconhecido

Museu Smithsoniano de Arte Americana

Washington, D.C., Estados Unidos

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

Mary, Blessed Virgin, SaintReligionBible, N.T.

No catálogo

PinturasÓleoPintura norte-americanaModernismoSéculo XX

Fontes

  • Museu Smithsoniano de Arte Americana
  • Imagem: Museu Smithsoniano de Arte Americana — CC0
Flight Into Egypt, Henry Ossawa Tanner, 1923

Flight Into Egypt

1923 · Museu Metropolitano de Arte

Study for "Christ at the Home of Lazarus", Henry Ossawa Tanner

Study for "Christ at the Home of Lazarus"

Museu Metropolitano de Arte

The Seine, Henry Ossawa Tanner, c. 1902

The Seine

c. 1902 · Galeria Nacional de Arte

The Two Disciples at the Tomb, Henry Ossawa Tanner, c. 1906

The Two Disciples at the Tomb

c. 1906 · Art Institute of Chicago

Mother of Henry O. Tanner, Henry Ossawa Tanner, n.d.

Mother of Henry O. Tanner

n.d. · Museu Smithsoniano de Arte Americana

Head of a Woman in Jerusalem, Henry Ossawa Tanner, n.d.

Head of a Woman in Jerusalem

n.d. · Museu Smithsoniano de Arte Americana

Portrait of Mr. and Mrs. Atherton Curtis with Still Life, Henry Ossawa Tanner, n.d.

Portrait of Mr. and Mrs. Atherton Curtis with Still Life

n.d. · Museu Smithsoniano de Arte Americana

Scene of Algiers, Henry Ossawa Tanner, n.d.

Scene of Algiers

n.d. · Museu Smithsoniano de Arte Americana

Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934

Madonna della seggiola, Charles B. J. Févret de Saint-Mémin, after Raphael, c. 1795

Raphael

Madonna della seggiola, c. 1795

Não exposta · Galeria Nacional de Arte

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., 1995

Não exposta · Galeria Nacional de Arte

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form  _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., Allen Ginsberg, 1993, printed 1995

Allen Ginsberg

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., 1993, printed 1995

Não exposta · Galeria Nacional de Arte

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., Allen Ginsberg, 1987

Allen Ginsberg

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., 1987

Não exposta · Galeria Nacional de Arte

Buried with Him by Baptism, Paul Revere, c. 1765

Paul Revere

Buried with Him by Baptism, c. 1765

Não exposta · Galeria Nacional de Arte

White Crucifixion, Marc Chagall, 1938

Marc Chagall

Crucificação Branca, 1938

Não exposta · Art Institute of Chicago

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", 1903-1916

Não exposta · Galeria Nacional de Arte

Study of Adam for the "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of Adam for the "Fifteen Mysteries of the Rosary", 1903-1916

Não exposta · Galeria Nacional de Arte