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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu de Arte Moderna/
  3. Marilyn Monroe, I
Marilyn Monroe, I, James Rosenquist, 1962
James Rosenquist, retratoJames RosenquistEstados Unidos, 1933–2017

Marilyn Monroe, I

1962 · Painting

Será possível contemplá-la?

De momento, não recebe

Museu de Arte Moderna

Nova Iorque, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 9 dias
Fonte
O museu
No mapaPágina do museu

Pormenores

1962 · aos 29 anos
19332017
Número de inventário
646.1967

No catálogo

PinturasÓleoPintura norte-americanaArte do pós-guerraSéculo XX

Fontes

  • Museu de Arte Moderna
  • Imagem: Museu de Arte Moderna — © the artist or rights holder

Entretanto, na vida de James Rosenquist

A vida inteira
  1. 1957–1960

    A billboard painter in Times Square

    He first worked as a chauffeur, then joined the International Brotherhood of Painters and Allied Trades and from 1957 to 1960 earned his living painting billboards around Times Square, becoming lead painter for Artkraft-Strauss and painting displays and windows across Fifth Avenue. He later recalled painting billboards above every candy store in Brooklyn and being able to paint a Schenley whiskey bottle in his sleep.

  2. 1960

    Gives up sign painting after a friend’s death

    By 1960 Rosenquist abandoned sign painting after a friend died falling from scaffolding on the job. Instead of commercial work he focused on personal projects in his own studio, developing a style that kept the imagery, bold hues and scale of his billboard work; from 1960 he began to make large-format canvases based on advertising posters in the Pop Art manner.

  3. 5 June 1960

    Marries Mary Lou Adams

    On 5 June 1960 Rosenquist married Mary Lou Adams; they had a son, John. The marriage ended in divorce.

  4. 1962

    First solo exhibition at the Green Gallery

    In 1962 Rosenquist’s first solo exhibition was held at the Green Gallery in New York and attracted great attention from the public and the press.

  5. 1963

    A second Green Gallery show and “Young Talent USA”

    In 1963 Rosenquist had his second solo exhibition at the Green Gallery and was selected for Art in America’s “Young Talent USA”.

  6. 1964

    Meets Andy Warhol

    Critics grouped Rosenquist with the Pop artists because he used recognisable imagery, but he did not meet Andy Warhol until 1964 and did not know Warhol or Roy Lichtenstein very well: in his words, they all emerged separately.

Mais obras de James Rosenquist

Todas as obras
F-111, James Rosenquist, 1964-65

F-111

1964-65 · Museu de Arte Moderna

Mirrored Flag, James Rosenquist, 1971

Mirrored Flag

1971 · Galeria Nacional de Arte

Spectator - Speed of Light, James Rosenquist, 2001

Spectator - Speed of Light

2001 · Galeria Nacional de Arte

Flag, Jasper Johns, 1969

Flag

1969 · Galeria Nacional de Arte

The Critic Smiles, Jasper Johns, 1969

The Critic Smiles

1969 · Galeria Nacional de Arte

Certificate (plate 14) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America), James Rosenquist, 1962, published 1964

Certificate (plate 14) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)

1962, published 1964 · Não exposta · Museu de Arte Moderna

Doorstop, James Rosenquist, 1963

Doorstop

1963 · Não exposta · Museu de Arte Moderna

White Bread, James Rosenquist, 1964

White Bread

1964 · Não exposta · Galeria Nacional de Arte

Vizinhas de sala: Museu de Arte Moderna

Página do museu
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

A Noite Estrelada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950