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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Albertina/
  3. Mädchen in Waschbecken
Mädchen in Waschbecken, Suzanne Valadon, 1895
Suzanne Valadon, retratoSuzanne ValadonFrança, 1865–1938

Mädchen in Waschbecken

1895 · Print

Será possível contemplá-la?

Desconhecido

Albertina

Viena, Áustria

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1895 · aos 30 anos
18651938

No catálogo

GravurasImpressionismoSéculo XIX

Fontes

  • Albertina
  • Imagem: Albertina — Public Domain Mark 1.0

Entretanto, na vida de Suzanne Valadon

A vida inteira
  1. early 1890s

    Friendship with Edgar Degas

    In the early 1890s Valadon befriended Edgar Degas, who found her drawings bold and her paintings fine: he bought her work and encouraged her, and remained one of her closest friends until his death in 1917.

  2. 1890s

    Degas: her first buyer, collectors and etching

    Degas was the first person to buy drawings from her, introduced her to other collectors, including Paul Durand-Ruel and Ambroise Vollard, and taught her the skill of soft-ground etching.

  3. 1893

    The affair with Erik Satie

    In 1893 Valadon had a short-lived affair with the composer Erik Satie: she moved into a room next to his on the Rue Cortot, and Satie, obsessed with her, called her his “Biqui” and wrote impassioned notes admiring her eyes, hands and tiny feet. After six months she left him devastated.

  4. 1895

    Durand-Ruel shows twelve of her etchings

    In 1895 the art dealer Paul Durand-Ruel exhibited a group of twelve etchings by Valadon showing women at various stages of their toilettes. Later her work was regularly shown at the Galerie Bernheim-Jeune in Paris.

  5. 1895

    Marriage to Paul Mousis

    In 1895 she married the well-to-do stockbroker Paul Mousis and lived with him for 13 years in an apartment in Paris and in a house on the outskirts; the following year she became a full-time painter.

  6. 1896

    A full-time painter from 1896

    Valadon began painting full-time: her still lifes, portraits, flowers and landscapes are noted for their strong composition and vibrant colours, but she was best known for her candid female nudes, which, by not idealising the body, upset the social norms of the time.

Mais obras de Suzanne Valadon

Todas as obras
Portrait of Mme Zamaron, Suzanne Valadon, 1922

Portrait of Mme Zamaron

1922 · Museu de Arte Moderna

Forårsblomster i en vase, Suzanne Valadon, 1928

Forårsblomster i en vase

1928 · Museu Nacional de Arte da Dinamarca

Maurice Utrillo als Junge, nackt sitzend, den Kopf nach rechts oben gewandt, Suzanne Valadon

Maurice Utrillo als Junge, nackt sitzend, den Kopf nach rechts oben gewandt

Albertina

Skizze: Maurice Utrillo als Junge, nackt sitzend, Suzanne Valadon

Skizze: Maurice Utrillo als Junge, nackt sitzend

Albertina

Stehende Frau (Catherine?) wäscht einem auf dem Bett sitzenden, nackten Mädchen den Hals, Suzanne Valadon

Stehende Frau (Catherine?) wäscht einem auf dem Bett sitzenden, nackten Mädchen den Hals

Albertina

Baigneuse nue, Suzanne Valadon, 1ère moitié 20e siècle

Baigneuse nue

1ère moitié 20e siècle · Museu de Belas Artes de Caen

Frau, einem stehenden nackten Knaben die Füße abtrocknend (Maurice und Catherine?), Suzanne Valadon, 1892

Frau, einem stehenden nackten Knaben die Füße abtrocknend (Maurice und Catherine?)

1892 · Albertina

Femmes s'essuyant (Women Drying Themselves), Suzanne Valadon, 1893

Femmes s'essuyant (Women Drying Themselves)

1893 · Não exposta · Galeria Nacional de Arte