Catherine Andras1775–1860
Lord Thurlow
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Museu Vitória e Alberto
Londres, Reino Unido
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During the eighteenth and nineteenth centuries, low relief portraits in wax became popular in Britain and they were often exhibited at the Royal Academy, the Society of Artists and elsewhere. Waxes were used in a similar way to prints and medals, in order to disseminate the image of the sitter, or, like miniature paintings or silhouettes as portable mementoes. Wax was well suited to being cast and reproduced many times over from the same mould in order to propagate an image.
The popularity of wax portraits was in part driven by their links with other types of portrait manufacture such as ceramic medallions.
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The process of making a portrait in wax would begin with a model in plasticine or soft wax which would be worked using ivory or wooden tools in much the same way as a model in clay. A plaster mould would then be made and molten wax poured into it. The relief would be hand-finished by the artist.
The sitter has been identitifed as Lord Thurlow who served as Lord Chancellor for fourteen years. He was a constitutionalist and an anti-reformer who advocated the Slave Trade.
Museu Vitória e Alberto
Pormenores
- Número de inventário
- A.136-1965
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- Museu Vitória e Alberto
- Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
