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Onde está a obra-prima, e a que horas se abre a porta.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Les Saltimbanques
Les Saltimbanques, Honoré Daumier, ca. 1866-67
Honoré Daumier, retratoHonoré DaumierFrança, 1808–1879

Les Saltimbanques

ca. 1866-67 · Watercolour · 33.7 × 39.7 cm

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a obra

The great French graphic artist Honoré Daumier made many drawings of saltimbanques (performers at fairs). In this poignant drawing an ageing clown bangs a drum balanced precariously on a chair, in the hope of attracting an audience. One acrobat son looks expectantly towards the distant crowd, while the other steadies the chair for his father. Their mother, however, sits in utter dejection, resigned to the crowd's indifference.

Museu Vitória e Alberto

Pormenores

ca. 1866-67
18081879
Número de inventário
CAI.120

O que mostra

ClownsPerformersPerforming artistsFairground

No catálogo

Desenhos e aguarelasAguarelaRealismoImpressionismoSéculo XIXFrança

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London

Entretanto, na vida de Honoré Daumier

A vida inteira
  1. 1864

    New Contract with Le Charivari

    In 1864 Le Charivari offered Daumier a new contract; he returned to caricature to earn a living and found an appreciative public, producing 100 lithographs in a year for an income of 400 francs a month.

  2. 1865

    Settling in Valmondois

    After spending the summer of 1865 in Valmondois with Théodore Rousseau, whose health was failing, Daumier soon left Montmartre for good and rented a small cottage in Valmondois, where he lived for the rest of his life.

  3. c. 1865 – 1866

    Onset of Failing Eyesight

    Around 1865–1866 Daumier's eyesight began to fail; the condition progressed, though he continued to make drawings and poster sketches as late as 1872 and painted almost until his death.

  4. 1868

    Corot Gave Daumier a House

    His loyal friend Corot secretly bought the house in Valmondois that Daumier was renting and presented it to him as a gift, writing in a letter: "I am not doing this for you, but to annoy your landlord."

Mais obras de Honoré Daumier

Todas as obras
The Third-Class Carriage, Honoré Daumier, 1864

The Third-Class Carriage

1864 · Museu Metropolitano de Arte

Jean-Marie Fruchard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Jean-Marie Fruchard

model c. 1832/1835, cast 1929/1930 · Galeria Nacional de Arte

Jean-Charles Persil, Honoré Daumier, model c. 1832/1835, cast 1929/1940

Jean-Charles Persil

model c. 1832/1835, cast 1929/1940 · Galeria Nacional de Arte

Auguste Gady, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Auguste Gady

model c. 1832/1835, cast 1929/1950 · Galeria Nacional de Arte

Pierre-Paul Royer-Collard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Pierre-Paul Royer-Collard

model c. 1832/1835, cast 1929/1930 · Galeria Nacional de Arte

Alexandre-Simon Pataille, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Alexandre-Simon Pataille

model c. 1832/1835, cast 1929/1950 · Galeria Nacional de Arte

Horace-François-Bastien Sébastiani (?), Honoré Daumier, model c. 1832/1835, cast 1929/1940

Horace-François-Bastien Sébastiani (?)

model c. 1832/1835, cast 1929/1940 · Galeria Nacional de Arte

Jacques-Antoine-Adrien, Baron Delort, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Jacques-Antoine-Adrien, Baron Delort

model c. 1832/1835, cast 1929/1950 · Galeria Nacional de Arte

Vizinhas de sala: Museu Vitória e Alberto

Página do museu
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