Léonidas aux Thermopyles, David, Jacques-Louis, 1e quart du XIXe siècle (1814)
Jacques-Louis David, retratoJacques-Louis DavidFrança, 1748–1825

Léonidas aux Thermopyles

1e quart du XIXe siècle (1814) · Peintures

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Onde está «Léonidas aux Thermopyles» hoje? Museu do Louvre, Salle 702, Aile Denon, Niveau 1, Paris. Sim, exposta agora. Verificado 26 de setembro de 2026.

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Sala702, Aile Denon, Niveau 1

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Leonidas at Thermopylae is an oil-on-canvas painting by French artist Jacques-Louis David. The work currently hangs in the Louvre in Paris, France. David completed the massive work (3.95 m × 5.31 m) 15 years after he began, working on it from 1799 to 1803 and again in 1813–1814. Leonidas at Thermopylae was purchased, along with The Intervention of the Sabine Women, in November 1819 for 100,000 francs by Louis XVIII, the king of France. The piece depicts the Spartan king Leonidas prior to the Battle of Thermopylae. David's pupil Georges Rouget collaborated on it.

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INV 3690

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  • Museu do Louvre
  • Imagem: Museu do Louvre — © 2018 GrandPalaisRmn (musée du Louvre) / Thierry Ollivier

Na vida de Jacques-Louis David

A vida inteira
  1. 1815

    Flees to Switzerland after Waterloo

    After Bonaparte’s defeat at Waterloo and the Bourbon restoration he was forced to flee to Switzerland; in August of the same year he returned to France.

  2. 1815

    Napoleon visits David during the Hundred Days

    During the Hundred Days Napoleon visited the painter and awarded him the commander’s cross of the Legion of Honour.

  3. 1816

    Exile: moves to Brussels

    Exiled from France for his part in the king’s execution, despite the intercession of the police minister Élie Decazes, he settled in Brussels, where he lived for the rest of his life.

  4. 1816–1825

    The Brussels years: pupils and smaller works

    He trained and influenced Brussels artists such as François-Joseph Navez and Ignace Brice, painted “Cupid and Psyche,” smaller mythological scenes, portraits of Brussels citizens and Napoleonic émigrés, and, towards the end of his life, a portrait of his old friend Abbé Sieyès.

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