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Onde está a obra-prima, e a que horas se abre a porta.

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InícioMapaCatálogo
  1. Coleção/
  2. Galeria Nacional Eslovaca/
  3. Léon Faucher
Léon Faucher, Honoré Daumier, 1848–1849
Honoré Daumier, retratoHonoré DaumierFrança, 1808–1879

Léon Faucher

1848–1849 · Print

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Desconhecido

Galeria Nacional Eslovaca

Bratislava, Eslováquia

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1848–1849
18081879

No catálogo

GravurasRomantismoRealismoSéculo XIX

Fontes

  • Galeria Nacional Eslovaca
  • Imagem: Galeria Nacional Eslovaca — Public Domain Mark 1.0

Entretanto, na vida de Honoré Daumier

A vida inteira
  1. 1846

    Move to the Île Saint-Louis; Meeting Baudelaire

    In 1846 the couple moved to 9 Quai d'Anjou on the Île Saint-Louis, where they lived until 1863. Writers and artists gathered at the nearby Hôtel de Lauzun; there Daumier met Baudelaire, who became his close friend and champion, and grew close to Corot, Courbet, Delacroix, Millet, and Rousseau.

  2. 2 February 1846

    Birth of His Son Honoré

    On 2 February 1846 the seamstress Alexandrine Dassy gave birth to Daumier's son, named Honoré.

  3. 16 April 1846

    Marriage to Alexandrine Dassy

    On 16 April 1846 Daumier married Alexandrine Dassy.

  4. 1848

    Sketch "The Republic" Among Competition Finalists

    On Courbet's advice, Daumier submitted an oil sketch, "The Republic" (now in the Musée d'Orsay), to the competition for an allegory of the new Republic; it was very well received and was among the twenty finalists, but Daumier never executed the finished painting.

  5. 1848

    Albums on the Revolution of 1848

    The Revolution of 1848 provided the material for two of Daumier's albums, "Parliamentary Idylls" and "The Representatives Represented"; he once again launched a political campaign in the pages of Le Charivari.

  6. 1849

    First Participation in the Salon

    In 1849 Daumier exhibited at the Salon for the first time, showing the painting "The Miller, His Son, and the Donkey"; from the late 1840s he devoted himself increasingly to painting.

Mais obras de Honoré Daumier

Todas as obras
The Third-Class Carriage, Honoré Daumier, 1864

The Third-Class Carriage

1864 · Museu Metropolitano de Arte

Jean-Marie Fruchard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Jean-Marie Fruchard

model c. 1832/1835, cast 1929/1930 · Galeria Nacional de Arte

Jean-Charles Persil, Honoré Daumier, model c. 1832/1835, cast 1929/1940

Jean-Charles Persil

model c. 1832/1835, cast 1929/1940 · Galeria Nacional de Arte

Auguste Gady, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Auguste Gady

model c. 1832/1835, cast 1929/1950 · Galeria Nacional de Arte

Pierre-Paul Royer-Collard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Pierre-Paul Royer-Collard

model c. 1832/1835, cast 1929/1930 · Galeria Nacional de Arte

Alexandre-Simon Pataille, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Alexandre-Simon Pataille

model c. 1832/1835, cast 1929/1950 · Galeria Nacional de Arte

Horace-François-Bastien Sébastiani (?), Honoré Daumier, model c. 1832/1835, cast 1929/1940

Horace-François-Bastien Sébastiani (?)

model c. 1832/1835, cast 1929/1940 · Galeria Nacional de Arte

Jacques-Antoine-Adrien, Baron Delort, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Jacques-Antoine-Adrien, Baron Delort

model c. 1832/1835, cast 1929/1950 · Galeria Nacional de Arte