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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Landscape, Yosemite
Landscape, Yosemite, Edward Weston, 1938
Edward Weston, retratoEdward WestonEstados Unidos, 1886–1958

Landscape, Yosemite

1938 · Photograph

Será possível contemplá-la?

De momento, não recebe

Art Institute of Chicago

Chicago, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
28 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1938 · aos 52 anos
18861958
Número de inventário
1959.774

No catálogo

FotografiasProva de gelatina e prataModernismoSéculo XX

Idas e vindas

  1. De momento, não exposta

    Art Institute of Chicago · 28 de set. de 2026 — agora · Verificado

  2. Se está exposta hoje, não se sabe

    Art Institute of Chicago · Não confirmado

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — © the artist or rights holder

Entretanto, na vida de Edward Weston

A vida inteira
  1. 1937 · Prémio

    Guggenheim Fellowship

  2. until 22 March 1937

    Applying for the Guggenheim grant

    At Beaumont Newhall’s suggestion Weston decides to apply for a Guggenheim Foundation grant: he writes a two-sentence description of his work, assembles thirty-five of his favourite prints and sends them in. Dorothea Lange and her husband point out that the application is too brief to be seriously considered, and he resubmits it with a four-page letter and a work plan. He does not mention that Wilson wrote the new application for him.

  3. after March 1937

    Seventeen trips in a year: 16,697 miles

    Over the next twelve months Weston and Wilson make seventeen trips and cover 16,697 miles, according to Wilson’s detailed log. Weston makes 1,260 negatives during the trip. Because of the success of the year he applies for and receives a second year of Guggenheim support: although he would like to travel more, he intends to use most of the money to print the previous year’s work.

  4. 22 March 1937

    News of the Guggenheim grant: two thousand dollars

    On 22 March 1937 Weston learns he has been awarded a Guggenheim grant, the first ever given to a photographer: $2,000 for one year, a significant sum at the time. He capitalises on it further by arranging to supply the editor of AAA Westway Magazine with 8–10 photographs a month for $50 during their travels, with Wilson earning another $15 a month for captions and short narratives. They buy a new car and set out on Weston’s dream trip to photograph whatever he wants.

  5. 1937–1939

    Nearly 1,400 negatives in two years on the fellowship

    The first photographer to receive a Guggenheim Fellowship, he produces nearly 1,400 negatives over the next two years with his 8 × 10 view camera.

  6. 24 April 1939

    Marries Charis Wilson

    Finally relieved of past financial stress and inordinately happy with both his work and his relationship, Weston marries Wilson in a small ceremony on 24 April.

Mais obras de Edward Weston

Todas as obras
Shell, Edward Weston, 1927

Shell

1927 · Museu de Arte Moderna

Cypress Root and Succulents, Point Lobos, Edward Weston, 1930

Cypress Root and Succulents, Point Lobos

1930 · Museu de Arte Moderna

Guadalupe, Mexico, Edward Weston, 1924

Guadalupe, Mexico

1924 · Instituto de Artes de Minneapolis

Violet Romer. (reaching for tall reed, wearing fairy costume), Edward Weston, c. 1917

Violet Romer. (reaching for tall reed, wearing fairy costume)

c. 1917 · Não exposta · Museu de Arte Moderna

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Não exposta · Museu de Arte Moderna

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Não exposta · Museu de Arte Moderna

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Não exposta · Museu de Arte Moderna

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942