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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Estatal de Amesterdão/
  3. Landscape with Pollard Willows
Landscape with Pollard Willows, Camille Corot, 1840 - 1875

Landscape with Pollard Willows

1840 - 1875 · Painting

Sobre a pintura

Nas palavras do museu — em holandês

Landschap met knotwilgen. Rechts een vrouw met een geit. In de verte een boerderij.

Museu Estatal de Amesterdão

Pormenores

1840 - 1875
17961875
Número de inventário
SK-A-2882

Entretanto, na vida de Camille Corot

A vida inteira
  1. 1845

    Baudelaire proclaims Corot leader of modern landscape

    Throughout the 1840s the Salon rejected many of Corot's works and the public bought few. But by 1845 Baudelaire led a charge proclaiming him the leader of the “modern school of landscape painting”, answering critics who found his colors pale: Corot, he said, was more a harmonist than a colorist.

  2. 1847

    Delacroix takes note of Corot; Dutilleux becomes a friend

    In 1847 Delacroix noted in his journal that Corot was a true artist. On Delacroix's recommendation the painter Constant Dutilleux bought a Corot painting and began a long and rewarding relationship with the artist, bringing him friendship and patrons.

  3. 1848

    After the Revolution of 1848, a seat on the Salon jury

    Corot's public treatment improved dramatically after the Revolution of 1848, when he was admitted to the Salon jury; that year he also received a second-class medal at the Salon. It brought him little state patronage, however.

  4. 1872

    A house in Auvers for the blind Daumier

    In 1872 Corot bought a house in Auvers as a gift for Honoré Daumier, who by then was blind, without resources and homeless.

  5. 25 January 1875

    Ill with stomach cancer, he returns to Paris

    Suffering from stomach cancer, Corot returned to Paris on 25 January 1875. He remained bedridden at No. 56 Rue du Faubourg-Poissonnière until his death.

Mais obras de Camille Corot

Todas as obras

Vizinhas de sala: Museu Estatal de Amesterdão

Página do museu

Sobre o mesmo tema · Groups of trees

Todas as obras sobre o tema
  • 22 de fevereiro de 1875

    Died

  • Camille Corot, retratoCamille CorotFrança, 1796–1875

    Será possível contemplá-la?

    Desconhecido

    Museu Estatal de Amesterdão

    Amesterdão, Países Baixos

    O proprietário é conhecido; não se sabe se hoje está exposta.

    Fonte
    O museu
    No mapaPágina do museu

    O que mostra

    Meadow, pastureGroups of treesTrees: willow

    No catálogo

    PinturasÓleoPintura francesaRomantismoRealismoSéculo XIX

    Fontes

    • Museu Estatal de Amesterdão
    • Imagem: Museu Estatal de Amesterdão — public domain
    Hagar in the Wilderness, Camille Corot, 1835

    Hagar in the Wilderness

    1835 · Museu Metropolitano de Arte

    Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot, 1836

    Diana and Actaeon (Diana Surprised in Her Bath)

    1836 · Museu Metropolitano de Arte

    Sibylle, Camille Corot, ca. 1870

    Sibylle

    ca. 1870 · Museu Metropolitano de Arte

    Mountainous Landscape, Camille Corot

    Mountainous Landscape

    Museu Metropolitano de Arte

    Paysage., Corot, Jean-Baptiste Camille, 2e quart du XIXe siècle (1632)

    Paysage.

    2e quart du XIXe siècle (1632) · Museu do Louvre

    The Island and Bridge of San Bartolomeo, Rome, Jean-Baptiste-Camille Corot, 1825/1828

    The Island and Bridge of San Bartolomeo, Rome

    1825/1828 · Galeria Nacional de Arte

    Italian Peasant Boy, Jean-Baptiste-Camille Corot, 1825/1827

    Italian Peasant Boy

    1825/1827 · Galeria Nacional de Arte

    Panorama de la campagne romaine. Les monts Prenestini vus d'Olevano., Corot, Jean-Baptiste Camille, 2e quart du XIXe siècle (1825 - 1850)

    Panorama de la campagne romaine. Les monts Prenestini vus d'Olevano.

    2e quart du XIXe siècle (1825 - 1850) · Museu do Louvre

    Self-portrait, Vincent van Gogh, 1887

    Vincent van Gogh

    Self-portrait, 1887

    La Corniche near Monaco, Claude Monet, 1884

    Claude Monet

    La Corniche bij Monaco, 1884

    De Nachtwacht, Rembrandt van Rijn, 1642

    Rembrandt van Rijn

    A Ronda Nocturna, 1642

    Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

    Rembrandt van Rijn

    Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

    Still Life with Peacocks, Rembrandt van Rijn, c. 1639

    Rembrandt van Rijn

    Still Life with Peacocks, c. 1639

    Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

    Rembrandt van Rijn

    Ponte de Pedra, c. 1638

    Man in Oriental Dress, Rembrandt van Rijn, 1635

    Rembrandt van Rijn

    Man in Oriental Dress, 1635

    Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

    Rembrandt van Rijn

    Portrait of Haesje Jacobsdr van Cleyburg, 1634

    Boomgroep in een park, Pierre Auguste Renoir, 1851 - 1919

    Pierre-Auguste Renoir

    Boomgroep in een park, 1851 - 1919

    Museu Estatal de Amesterdão

    Boomgroep met wortels boven de grond, Camille Jacob Pissarro, 1840 - 1903

    Camille Jacob Pissarro

    Boomgroep met wortels boven de grond, 1840 - 1903

    Museu Estatal de Amesterdão

    Groep bomen bij Belle Foriere, Camille Corot, 1858

    Camille Corot

    Groep bomen bij Belle Foriere, 1858

    Museu Estatal de Amesterdão

    Studie van twee bomen, Claude Lorrain, 1665 - 1670

    Claude Lorrain

    Studie van twee bomen, 1665 - 1670

    Museu Estatal de Amesterdão

    Enkele hoge bomen voor een open veld, Claude Lorrain, 1610 - 1680

    Claude Lorrain

    Enkele hoge bomen voor een open veld, 1610 - 1680

    Museu Estatal de Amesterdão

    Landschap met bomen, Esaias van de Velde, 1616 - before 1619

    Esaias van de Velde

    Landschap met bomen, 1616 - before 1619

    Museu Estatal de Amesterdão

    Schetsje van boomstammen, Théodore Rousseau, 1822 - 1867

    Théodore Rousseau

    Schetsje van boomstammen, 1822 - 1867

    Museu Estatal de Amesterdão

    Omgehakte bomen, Théodore Rousseau, 1822 - 1867

    Théodore Rousseau

    Omgehakte bomen, 1822 - 1867

    Museu Estatal de Amesterdão