ART WIKI32 979 em exposição
MapaColeçãoArtistasMuseusExposiçõesRevista
Entrar

ART WIKI

Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

Secções

  • Mapa
  • Pesquisa
  • Coleção
  • Obras-primas
  • Em exposição agora
  • Artistas

Mais

  • Museus e galerias
  • Exposições
  • Revista
  • De onde vêm os dados
  • Privacidade e cookies
InícioMapaCatálogo
  1. Coleção/
  2. Harvard Art Museums/
  3. Landscape
Landscape, John Henry Twachtman, c. 1887-1888
John Henry Twachtman, retratoJohn Henry TwachtmanEstados Unidos, 1853–1902

Landscape

c. 1887-1888 · Painting

Sobre a pintura

After studying in Munich and Paris, Twachtman settled in the harbor community of Cos Cob, Connecticut. Influenced by French painters in the Barbizon region who were dedicated to landscape and agrarian life as subjects for aesthetic inquiry, Twachtman and the growing colony of artists at Cos Cob created compositions of amplified light, characterized by quick, varied brushwork and high-contrast color harmonies. In time, the com-munity became synonymous with a philosophy of painterly effects and subjects called American Impressionism.This sketch dates to a yearlong period in 1887–88 when Twachtman rented a small farm in Branchville, Connecticut, next door to a close friend, artist J. Alden Weir. The two took daily walks across the surrounding fields and marshes, choosing vantages from which to paint en plein air. The result is a network of sketches and studies of recurring vegetation and farm buildings across different times of day and in different seasons.

Harvard Art Museums

Pormenores

c. 1887-1888
18531902
Número de inventário
1927.228

Mais obras de John Henry Twachtman

Todas as obras

Na mesma sala · Gallery 2130, floor 2, European and American Art, 17th–19th century, Harvard Art Museums

Página do museu

Será possível contemplá-la?

Sim, recebe visitas

Harvard Art Museums

Cambridge, Estados Unidos

Sala2130, floor 2, European and American Art, 17th–19th century

Exposta ao público. Quem o garante vem indicado abaixo.

Verificado
há 3 dias
Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

No catálogo

PinturasÓleoPintura norte-americanaImpressionismoSéculo XIXEstados Unidos

Fontes

  • Harvard Art Museums
  • Imagem: Harvard Art Museums — © President and Fellows of Harvard College
Arques-la-Bataille, John Henry Twachtman, 1885

Arques-la-Bataille

1885 · Museu Metropolitano de Arte

Figure in Sunlight (Artist's Wife), John Henry Twachtman, ca. 1890-1900

Figure in Sunlight (Artist's Wife)

ca. 1890-1900 · Museu Smithsoniano de Arte Americana

Hemlock Pool, John Henry Twachtman, ca. 1890-1900

Hemlock Pool

ca. 1890-1900 · Museu Smithsoniano de Arte Americana

Autumn Avondale, John Henry Twachtman, c. 1879-1882

Autumn Avondale

c. 1879-1882 · Não exposta · Galeria Nacional de Arte

Winter, Avondale, John Henry Twachtman, c. 1879

Winter, Avondale

c. 1879 · Não exposta · Galeria Nacional de Arte

The Harbor, Bridgeport, John Henry Twachtman, 1885/1921

The Harbor, Bridgeport

1885/1921 · Não exposta · Galeria Nacional de Arte

Winter Harmony, John Henry Twachtman, c. 1890/1900

Winter Harmony

c. 1890/1900 · Não exposta · Galeria Nacional de Arte

The White Bridge, John Henry Twachtman, c. 1895

The White Bridge

c. 1895 · Não exposta · Instituto de Artes de Minneapolis

Spirit of the Waters, Daniel Chester French, 1914

Daniel Chester French

Spirit of the Waters, 1914

The Dawn, John La Farge, 1899

John La Farge

The Dawn, 1899

Flamma Vestalis, Edward Burne-Jones, before 1888

Edward Burne-Jones

Flamma Vestalis, before 1888

Fisherman and Mermaid, Elihu Vedder, 1888-1889

Elihu Vedder

Fisherman and Mermaid, 1888-1889

Study for "Blossoms", Albert Joseph Moore, c. 1881

Albert Joseph Moore

Study for "Blossoms", c. 1881

Cove at Sunset, Edward Mitchell Bannister, 1880-1900

Edward Mitchell Bannister

Cove at Sunset, 1880-1900

The Genius of Greek Poetry, George Frederic Watts, 1878

George Frederic Watts

The Genius of Greek Poetry, 1878

The Infant Moses, Gustave Moreau, c. 1876-c. 1878

Gustave Moreau

The Infant Moses, c. 1876-c. 1878