Paul GauguinFrança, 1848–1903Landscape from Bretagne
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Onde está «Landscape from Bretagne» hoje? Coleção: Museu Nacional de Belas-Artes da Suécia, Estocolmo. Não exposta de momento. Verificado 9 de outubro de 2026.
Estocolmo, Suécia
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Sobre a pintura
In the 1880s, Paul Gauguin occasionally went to Bretagne, where he was taken by the landscape and local traditions. This painting shows an actual part of the coast, in a subjective interpretation where the decorative effects of colour fields and contours are the key element. The orange sections have shadows in a contrasting blue. This new style was called Synthetism. In autumn 1892, the artist Richard Bergh bought Landscape from Bretagne from Gauguin’s wife. This painting inspired many Swedish artists.
Museu Nacional de Belas-Artes da Suécia
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Museu Nacional de Belas-Artes da Suécia · 9 de out. de 2026 — agora · Verificado
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Museu Nacional de Belas-Artes da Suécia · 27 de set. de 2026 — 9 de out. de 2026 · Não confirmado
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- Museu Nacional de Belas-Artes da Suécia
- Imagem: Museu Nacional de Belas-Artes da Suécia — Public Domain Mark 1.0
Na vida de Paul Gauguin
A vida inteira1870s–1891 · Local de trabalho
Paris
1886–1891 · Local de trabalho
Pont-Aven
1887 · Local de trabalho
Martinique
1887
Panama and Martinique
In 1887–1888 Gauguin visited Panama, where he observed the construction of the Panama Canal, and traveled on with the painter Laval to Martinique. Martinique helped bring about an evolution in his art, making Japanese influences apparent.
October – December 1888
Nine Weeks with Van Gogh in Arles
In 1888, at Theo's insistence, Gauguin worked for nine weeks with Vincent van Gogh in his Yellow House in Arles. Their relationship deteriorated: on the evening of 23 December 1888, according to Gauguin's later account, Vincent came at him with a razor and then cut off his own ear; Gauguin left Arles, and they never saw each other again.
1 April 1891
Departure for Tahiti
On 1 April 1891, after a final visit to his wife and children in Copenhagen, Gauguin sailed for Tahiti, intending to escape European civilization and "everything that is artificial and conventional." He spent his first three months in Papeete, then set up a studio in a bamboo hut at Mataiea.
