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InícioMapaCatálogo
  1. Coleção/
  2. Harvard Art Museums/
  3. La Sieste
La Sieste, Félicien Rops, 1879
Félicien Rops, retratoFélicien RopsFrança, 1833–1898

La Sieste

1879 · Print

Será possível contemplá-la?

De momento, não recebe

Harvard Art Museums

Cambridge, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1879 · aos 46 anos
18331898
Número de inventário
49.1989

No catálogo

GravurasÁgua-forteRealismoImpressionismoSéculo XIXBélgica

Fontes

  • Harvard Art Museums
  • Imagem: Harvard Art Museums — © President and Fellows of Harvard College

Entretanto, na vida de Félicien Rops

A vida inteira
  1. 1870s

    Life as a trio with the Duluc sisters

    Having known Madame Duluc and her young daughters since the 1860s, Rops begins, not long before the break with his wife, to live as a trio with the sisters Aurélie and Léontine, apparently with their mother’s endorsement. They will live together for more than 25 years, until his death: the sisters run the Paris fashion house Maison Duluc, for which he designs logos and advertisements, and the three twice travel to the United States and Canada to present their fashions.

  2. 1871–1898

    Travels across Europe and North Africa

    During his Paris years Rops travels extensively throughout Europe — from capital cities and art centres to salmon fishing in Norway and Sweden and ventures into the Hungarian back country — and also to Spain and North Africa.

  3. 1877

    A flourishing of fame and income in Paris

    Rops thrives among Parisian artists and poets: the demand for his illustrations from publishers and authors of the literary avant-garde is greater than ever, and in 1877 he boasts that he is the best-paid illustrator in France; at the Paris salons, where he often exhibits, the public is both fascinated and shocked by his art and his personal life.

  4. 1877

    Rops’s name on the frontispiece of the “Index Librorum Prohibitorum”

    In the “Index Librorum Prohibitorum” (1877) by the British collector of pornography Henry Spencer Ashbee, Rops’s work is featured prominently and his name is advertised on the frontispiece; the reputation of a pornographer attaches to him early.

Mais obras de Félicien Rops

Todas as obras
Oude-Kate, Félicien Rops

Oude-Kate

Não exposta · Galeria Nacional de Arte

Satan Sowing Tare (Satan semant l'ivraie), Félicien Rops

Satan Sowing Tare (Satan semant l'ivraie)

Não exposta · Galeria Nacional de Arte

The Train of Maris (Le train de Maris), Félicien Rops

The Train of Maris (Le train de Maris)

Não exposta · Galeria Nacional de Arte

Le Rydeack, Félicien Rops

Le Rydeack

Não exposta · Galeria Nacional de Arte

The Little Potato Peeler (La petite peleuse de pommes de terre), Félicien Rops

The Little Potato Peeler (La petite peleuse de pommes de terre)

Não exposta · Galeria Nacional de Arte

The Sparrow of Lesbie (Le moineau de Lesbie), Félicien Rops

The Sparrow of Lesbie (Le moineau de Lesbie)

Não exposta · Galeria Nacional de Arte

The Falconer (La fauconniere), Félicien Rops

The Falconer (La fauconniere)

Não exposta · Galeria Nacional de Arte

Die Absinthtrinkerin, Félicien Rops

Die Absinthtrinkerin

Albertina

Vizinhas de sala: Harvard Art Museums

Página do museu
Glück auf in Deutschland (N:4), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:4), 2024

Glück auf in Deutschland (N:10), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:10), 2024

Glück auf in Deutschland (N:7b), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:7b), 2024

Glück auf in Deutschland (N:6), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:6), 2024

Glück auf in Deutschland (N:11), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:11), 2024

Dwarpalika (Temple Guardian), Sneha Shrestha, 2023

Sneha Shrestha

Dwarpalika (Temple Guardian), 2023

The Eternal Pond of the Universe, Bingyi 冰逸, 2022-2024

Bingyi 冰逸

The Eternal Pond of the Universe, 2022-2024

Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE

Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE