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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Musée d'art et d'archéologie de Senlis/
  3. La Noblesse
La Noblesse, Thomas Couture, 1867-1876
Thomas Couture, retratoThomas CoutureFrança, 1815–1879

La Noblesse

1867-1876 · Painting · 2.24 × 1.61 cm

Será possível contemplá-la?

Desconhecido

MDE
Musée d'art et d'archéologie de Senlis

Senlis, França

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
5 de out. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1867-1876
18151879
Número de inventário
A.00.6.71

O que mostra

Figure (allégorie, femme, épée)

No catálogo

PinturasÓleoPintura francesaRealismoImpressionismoSéculo XIXFrança

Fontes

  • Musée d'art et d'archéologie de Senlis
  • Imagem: Musée d'art et d'archéologie de Senlis — © Christian Schryve, Compiègne; Ministère de la Culture (France), base Joconde

Entretanto, na vida de Thomas Couture

A vida inteira
  1. 1867

    The book “Méthode et entretiens d’atelier”

    In 1867 Couture publishes in Paris a book of his own ideas and working methods, “Méthode et entretiens d’atelier” (“Method and Workshop Interviews”), as a challenge to the academic establishment. His answer to a publisher who asked for an autobiography is also remembered: biography is the exaltation of personality, and personality is the scourge of our time.

  2. 1869

    Moves to Villiers-le-Bel

    In 1869 Couture moves to Villiers-le-Bel. According to the critic Albert Wolff, he lives there in a seclusion which, thanks to the complete indifference of his contemporaries, turns him into a man buried alive.

  3. January 1870

    Demand for his works in the United States

    Forgotten at home, Couture finds demand for his works in the United States, which keeps him from leaving the stage altogether. In January 1870 he writes that he works hard, that art lovers come to him as to Paris, and that he, who reveres art alone, grows rich with their help, like a colonial merchant.

  4. 1870s

    An autobiographical book with his grandson

    Late in life Couture works with his grandson on an autobiographical book, “Thomas Couture, His Life, His Work, His Character, His Ideas, His Method”.

Mais obras de Thomas Couture

Todas as obras
Jeune femme en buste, les épaules dénudées., Couture, Thomas, 2e tiers du XIXe siècle (1835 - 1879)

Jeune femme en buste, les épaules dénudées.

2e tiers du XIXe siècle (1835 - 1879) · Museu do Louvre

Marie Simonet, du village de Villemoyenne (Aisne)., Couture, Thomas, 2e quart du XIXe siècle (1836)

Marie Simonet, du village de Villemoyenne (Aisne).

2e quart du XIXe siècle (1836) · Museu do Louvre

Adolphe Moreau (1827-1882), fils du collectionneur Adolphe Moreau et père du donateur des MuséesNationaux, Étienne Moreau-Nélaton., Couture, Thomas, 2e quart du XIXe siècle (1845)

Adolphe Moreau (1827-1882), fils du collectionneur Adolphe Moreau et père du donateur des MuséesNationaux, Étienne Moreau-Nélaton.

2e quart du XIXe siècle (1845) · Museu do Louvre

Romans of the Decadence, Thomas Couture, 1847

Romans of the Decadence

1847 · Harvard Art Museums

The Bird Catcher, Thomas Couture, c. 1857

The Bird Catcher

c. 1857 · Art Institute of Chicago

The Romans of the Decadence, Thomas Couture, 1847

The Romans of the Decadence

1847 · Museu de Orsay

Armstudie, Thomas Couture

Armstudie

Österreichische Galerie Belvedere

La Courtisane, Thomas Couture, c. 19th century

La Courtisane

c. 19th century · Museu de Orsay

Da coleção: Musée d'art et d'archéologie de Senlis

Página do museu
Paysanne en forêt de Fontainebleau, Camille Corot, 1830 vers,1832 vers

Camille Corot

Paysanne en forêt de Fontainebleau, 1830 vers,1832 vers

Sur la plage de Trouville, Eugène Boudin, 1863-1888

Eugène Boudin

Sur la plage de Trouville, 1863-1888

La fuite en Egypte, Philippe de Champaigne, 1650-1660

Philippe de Champaigne

La fuite en Egypte, 1650-1660

Portrait de Monsieur Georges Becht, Ary Scheffer, 1818

Ary Scheffer

Portrait de Monsieur Georges Becht, 1818

Portrait de Madame Georges Becht, née Élisabeth Jayerschimdt, Ary Scheffer, 1818

Ary Scheffer

Portrait de Madame Georges Becht, née Élisabeth Jayerschimdt, 1818

Jeune italienne, Thomas Couture, 1877

Thomas Couture

Jeune italienne, 1877

Portrait d'homme, Thomas Couture, 1868 vers

Thomas Couture

Portrait d'homme, 1868 vers

Le retour de l'audience, Thomas Couture, 1860-1869

Thomas Couture

Le retour de l'audience, 1860-1869