Sonia Delaunay, retratoSonia DelaunayRússia, 1885–1979

La marchande d'oranges

1915 · Drawing · 45.8 × 51 cm

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Número de inventário
AMD 322

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Fontes

  • Museu de Arte Moderna de Paris
  • Imagem: Museu de Arte Moderna de Paris — Paris Musées / Musée d'Art moderne de Paris / © Pracusa S.A.; Ministère de la Culture (France), base Joconde

Na vida de Sonia Delaunay

A vida inteira
  1. 1913

    The Autumn Salon in Berlin

    The simultaneous book was shown at the Autumn Salon in Berlin together with Sonia's paintings and applied works, including dresses.

  2. 1913

    Apollinaire names their painting Orphism

    Guillaume Apollinaire gave the name Orphism to the version of Cubism that Sonia and Robert Delaunay developed in their work.

  3. 1914

    The First World War catches the Delaunays in Spain

    The Delaunays travelled to Spain to stay with friends in Madrid; the outbreak of the First World War found Sonia and Robert in Hondarribia, in the Basque Country, with their son still in Madrid, and they decided not to return to France.

  4. 1916

    Solo exhibition in Stockholm

    Sonia Delaunay had a solo exhibition in Stockholm.

  5. 1917

    The Russian Revolution cuts off her family's money

    The Russian Revolution ended the financial support Sonia received from her family in Russia, and a new source of income was needed: in Madrid she decorated the Petit Casino nightclub and founded Casa Sonia, selling her designs for interiors and fashion, with a branch in Bilbao, and became the centre of a Madrid salon.

  6. 1917

    Meets Diaghilev in Madrid

    The Delaunays met Sergei Diaghilev: Sonia designed costumes for his production of “Cleopatra” (sets by Robert) and for “Aida” in Barcelona. She restored Léon Bakst's burnt sets for Fokine's “Cleopatra” for its showing at the London Coliseum in 1918.

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