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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Estatal de Amesterdão/
  3. Kitchen by Lamplight
Kitchen by Lamplight, Adriaan Meulemans, 1817

Kitchen by Lamplight

1817 · Painting

Sobre a pintura

Nas palavras do museu — em holandês

Gezicht door een venster op een keuken bij lamplicht. Een keukenmeid vult een ketel met water uit een kraan, zij heeft een olielamp in de rechterhand. Op de achtergrond een staande vrouw met kind op de arm bij een kaars.

Museu Estatal de Amesterdão

Pormenores

1817 · aos 54 anos
17631835
Número de inventário
SK-A-1174

Mais obras de Adriaan Meulemans

Todas as obras

Vizinhas de sala: Museu Estatal de Amesterdão

Página do museu

Sobre o mesmo tema · Kitchen

Todas as obras sobre o tema
Adriaan Meulemans, retratoAdriaan MeulemansPaíses Baixos, 1763–1835

Será possível contemplá-la?

Desconhecido

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O proprietário é conhecido; não se sabe se hoje está exposta.

Fonte
O museu
No mapaPágina do museu

O que mostra

KitchenOil-lampKitchen-maid, kitchen servant

No catálogo

PinturasÓleoPintura neerlandesaNeoclassicismoRomantismoSéculo XIX

Fontes

  • Museu Estatal de Amesterdão
  • Imagem: Museu Estatal de Amesterdão — public domain
Old Woman Reading, Adriaan Meulemans, 1800 - 1833

Old Woman Reading

1800 - 1833 · Museu Estatal de Amesterdão

Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

A Ronda Nocturna, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Jonge vrouw in gefantaseerde kleding, Rembrandt van Rijn, 1633

Rembrandt van Rijn

Jonge vrouw in gefantaseerde kleding, 1633

Peter Orlovsky in his mother's house, Allen Ginsberg, 1964, printed later

Allen Ginsberg

Peter Orlovsky in his mother's house, 1964, printed later

Não exposta · Galeria Nacional de Arte

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., Allen Ginsberg, 1984, printed 1994

Allen Ginsberg

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., 1984, printed 1994

Não exposta · Galeria Nacional de Arte

Father Pierre Riches at kitchen table December 4, 1992, Allen Ginsberg, 1992

Allen Ginsberg

Father Pierre Riches at kitchen table December 4, 1992, 1992

Não exposta · Galeria Nacional de Arte

Herbert E. Huncke age 69 retired from the street on methadone program, head tilted wise-eyed for wry conversation, about to say something charming, flattering or honest at the kitchen table New York March 1984., Allen Ginsberg, 1984

Allen Ginsberg

Herbert E. Huncke age 69 retired from the street on methadone program, head tilted wise-eyed for wry conversation, about to say something charming, flattering or honest at the kitchen table New York March 1984., 1984

Não exposta · Galeria Nacional de Arte

Jello Biafra (nee Eric Boucher) head of _Dead Kennedys_ rock band, visiting New York after obscenity trial (won by hung jury) over art illustrations to his "Frankenchrist" album. "Nazi Punks Fuck Off," "Too Drunk to Fuck," and "White Punks on Dope" were early underground hits late 1970's. He was on tour, lecturing on Reagan-era censorship moves, here "rebounding from the want-ads, surprised scrutinized by Candid surveillance camera," his briefcase open in small bedroom, pens clipped to strap, old backstage tour passes posted inside. Recovering from flu, late night tea, October 6, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Jello Biafra (nee Eric Boucher) head of _Dead Kennedys_ rock band, visiting New York after obscenity trial (won by hung jury) over art illustrations to his "Frankenchrist" album. "Nazi Punks Fuck Off," "Too Drunk to Fuck," and "White Punks on Dope" were early underground hits late 1970's. He was on tour, lecturing on Reagan-era censorship moves, here "rebounding from the want-ads, surprised scrutinized by Candid surveillance camera," his briefcase open in small bedroom, pens clipped to strap, old backstage tour passes posted inside. Recovering from flu, late night tea, October 6, 1987., 1987

Não exposta · Galeria Nacional de Arte

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., Allen Ginsberg, 1986, printed 1991

Allen Ginsberg

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., 1986, printed 1991

Não exposta · Galeria Nacional de Arte

Ray Bremser, Jazz-bar sound-poetry genius, syncopating wow-sound word- / walloper, original N.Y. late-1950's Coffeshop bard with Kerouac & LeRoi Jones, his long-ago jail songs were noted by Bob Dylan in _The Times They are a Changin'_;  at kitchen table March 15, 1987, he stayed over to read Poetry and teach my "Literary History of Beat Generation" Class Brooklyn College, come down from A.A. halfway house in Utica N.Y., rare trip to the Apple for survivor w/ big fine beard., Allen Ginsberg, 1987

Allen Ginsberg

Ray Bremser, Jazz-bar sound-poetry genius, syncopating wow-sound word- / walloper, original N.Y. late-1950's Coffeshop bard with Kerouac & LeRoi Jones, his long-ago jail songs were noted by Bob Dylan in _The Times They are a Changin'_; at kitchen table March 15, 1987, he stayed over to read Poetry and teach my "Literary History of Beat Generation" Class Brooklyn College, come down from A.A. halfway house in Utica N.Y., rare trip to the Apple for survivor w/ big fine beard., 1987

Não exposta · Galeria Nacional de Arte

Kitchen window later afternoon January 23, 1987, snow melted on the sill, I never met Bill Rizzo., Allen Ginsberg, 1987

Allen Ginsberg

Kitchen window later afternoon January 23, 1987, snow melted on the sill, I never met Bill Rizzo., 1987

Não exposta · Galeria Nacional de Arte