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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Estatal de Amesterdão/
  3. Kermis bij een molen
Kermis bij een molen, James Ensor, c. 1889

Kermis bij een molen

c. 1889 · Print

Sobre a obra

Nas palavras do museu — em holandês

Bij de molen in het landschap dansen en feesten mensen.

Museu Estatal de Amesterdão

Pormenores

c. 1889
18601949
Número de inventário
RP-P-1991-40

Entretanto, na vida de Ensor, James

A vida inteira
  1. 1860–1949 · Local de trabalho

    Ostend

  2. 1880s

    Brief trips to France and the Netherlands

    Ensor travelled very little: in the 1880s, just three brief trips to France and two to the Netherlands.

  3. 1883–1893 · Filiação

    Les XX

  4. 1887

    Death of his father

    His father, James Frederic Ensor, died — a scion of a wealthy English family who never found his footing in Belgium, mocked by small-town Ostend as a drunkard and failure, yet always supportive of his son's passion for art. Left the only man in the family, James felt a special responsibility for his younger sister Mariette (Mitche).

  5. 1888–1892

    Turning-point years: the Passion of Christ

    Ensor turned to religious themes, most often the torments of Christ, expressing through them his disgust at the inhumanity of the world; an atheist, he identified with Christ as a victim of mockery. At the height of his creative powers, between 1886 and 1891, he made 86 of his 133 etchings.

Mais obras de Ensor, James

Todas as obras

Vizinhas de sala: Museu Estatal de Amesterdão

Página do museu

Sobre o mesmo tema · Windmill in landscape

Todas as obras sobre o tema
Ensor, James, retratoEnsor, JamesBélgica, 1860–1949

Será possível contemplá-la?

Desconhecido

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O proprietário é conhecido; não se sabe se hoje está exposta.

Fonte
O museu
No mapaPágina do museu

O que mostra

Windmill in landscapePleasure fair and circus

No catálogo

GravurasImpressionismoSéculo XIX

Fontes

  • Museu Estatal de Amesterdão
  • Imagem: Museu Estatal de Amesterdão — public domain
Christ's Entry into Brussels in 1889, James Ensor, 1888

Christ's Entry into Brussels in 1889

1888 · Museu J. Paul Getty

The Intrigue, James Ensor, 1911

The Intrigue

1911 · Instituto de Artes de Minneapolis

Comical Repast (Feast of the Lean), James Ensor, ca. 1917–18

Comical Repast (Feast of the Lean)

ca. 1917–18 · Museu Metropolitano de Arte

Still Life with Fish and Shells, James Ensor, 1898

Still Life with Fish and Shells

1898 · Art Institute of Chicago

The Riding Crop, James Ensor

The Riding Crop

Não exposta · Galeria Nacional de Arte

Phantastisches Stillleben, James Ensor

Phantastisches Stillleben

Österreichische Galerie Belvedere

Stillleben mit blauer Flasche und gerupftem Huhn, James Ensor

Stillleben mit blauer Flasche und gerupftem Huhn

Österreichische Galerie Belvedere

Blumenkorb, James Ensor

Blumenkorb

Albertina

Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

A Ronda Nocturna, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Oostzijdse Mill along the River Gein by Moonlight, Piet Mondriaan, c. 1903

Piet Mondrian

Oostzijdse Mill along the River Gein by Moonlight, c. 1903

Museu Estatal de Amesterdão

De molen bij Wijk bij Duurstede, Jacob Isaacksz van Ruisdael, c. 1668 - c. 1670

Jacob Isaacksz. van Ruisdael

De molen bij Wijk bij Duurstede, c. 1668 - c. 1670

Museu Estatal de Amesterdão

Tom Idle wordt in een roeiboot naar een schip op de Theems gevaren, William Hogarth, 1747-09

William Hogarth

Tom Idle wordt in een roeiboot naar een schip op de Theems gevaren, 1747-09

Museu Estatal de Amesterdão

Gezicht op Slijkens met een molen op de voorgrond, James Ensor, 1891

Ensor, James

Gezicht op Slijkens met een molen op de voorgrond, 1891

Museu Estatal de Amesterdão

Kermis bij een molen, James Ensor, 1889

Ensor, James

Kermis bij een molen, 1889

Museu Estatal de Amesterdão

Zaandam, James Abbott McNeill Whistler, 1889

James Abbott McNeill Whistler

Zaandam, 1889

Museu Estatal de Amesterdão

De molen, James Abbott McNeill Whistler, 1889

James Abbott McNeill Whistler

De molen, 1889

Museu Estatal de Amesterdão

Titelblad voor 'Keur van gedenkwaardige tafereelen uit de vaderlandsche historiën', Johan Huizinga, 1893 - 1895

Johan Huizinga

Titelblad voor 'Keur van gedenkwaardige tafereelen uit de vaderlandsche historiën', 1893 - 1895

Museu Estatal de Amesterdão