Judith met het hoofd van Holofernes, Hendrick Goltzius, 1586 - 1590
Hendrick Goltzius, retratoHendrick GoltziusPaíses Baixos, 1558–1617

Judith met het hoofd van Holofernes

1586 - 1590 · Design

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Museu Estatal de Amesterdão

Amesterdão, Países Baixos

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Nas palavras do museu — em holandês

Staand houdt zij het hoofd van Holofernes in haar rechter hand. Links onthoofd zij de slapende Holofernes in een tent. Ontwerp voor een prent.

Museu Estatal de Amesterdão

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RP-T-00-540

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Na vida de Hendrick Goltzius

A vida inteira
  1. late 1580s

    Depression and consumption

    From the late 1580s he suffered from depression and consumption; his family life was unhappy.

  2. c. 1584

    Meeting Karel van Mander

    He met the painter and his future biographer Karel van Mander, a refugee from Flanders, who introduced him to the drawings of Bartholomeus Spranger, then working in Prague for Rudolf II. Spranger's works exerted a significant influence on Goltzius's art.

  3. 1587

    Founding of the Haarlem Academy

    Together with Cornelis van Haarlem and Karel van Mander he founded an academy of art in Haarlem, later known as the Haarlem Mannerist Academy (some sources give 1583 or 1600). There, for the first time in the Netherlands, systematic study of anatomy and drawing from the nude model were introduced.

  4. 1590

    Departure for Italy

    He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."

  5. 1591

    Eight months in Rome

    He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.

  6. 1591

    Return to Haarlem with a collection of drawings

    He returned to Haarlem, bringing from Italy a large collection of drawings that he used for the rest of his life; from the Roman material three engravings of classical statues are known, including the Farnese Hercules.

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