Isabella Brant, Sir Anthony van Dyck, 1621
Anthony van Dyck, retratoAnthony van DyckFlandres, 1599–1641

Isabella Brant

1621 · Painting · 153 × 120 cm

Posso vê-la?

Sim, exposta agora

Onde está «Isabella Brant» hoje? Galeria Nacional de Arte, Sala 42 · Edifício Oeste, piso principal, Washington, D.C. Sim, exposta agora. Verificado 29 de setembro de 2026.

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Sala42 · Edifício Oeste, piso principal

Fechado· abre às 10:00

Exposta ao público.

Verificado
Neste estado desde
Fonte
O museu

Pormenores

Número de inventário
1937.1.47

O que mostra

No catálogo

Exposições

  1. Em exposição · Sala 42 · Edifício Oeste, piso principal

    Galeria Nacional de Arte · 29 de set. de 2026 — agora · Verificado

  2. Estava exposta · Sala 42 · Edifício Oeste, piso principal

    Galeria Nacional de Arte · 29 de set. de 2026 — 29 de set. de 2026 · Verificado

  3. Estava exposta · Sala 42 · Edifício Oeste, piso principal

    Hermitage · 28 de set. de 2026 — 29 de set. de 2026 · Verificado

  4. Estava exposta · Sala 42 · Edifício Oeste, piso principal

    Galeria Nacional de Arte · 30 de ago. de 2026 — 28 de set. de 2026 · Verificado

Fontes

  • Hermitage
  • Imagem: Galeria Nacional de Arte — Museum open access

Na vida de Anthony van Dyck

A vida inteira
  1. 1620

    First Trip to London to the Court of James I

    In October 1620, at the age of twenty-one, Van Dyck moved to London to the court of King James I at the urging of the Duke of Buckingham and the Earl of Arundel; he received an annual pension of one hundred pounds sterling from the king.

  2. 20 November 1621

    Departure for Italy, Arrival in Genoa

    In 1621 Van Dyck decided to go to Italy; Rubens supplied him with funds and letters of introduction. On 20 November 1621 he arrived in Genoa and remained in Italy for six years, where his fame as a portraitist was consolidated.

  3. winter 1622

    Winter in Venice, Studying Titian

    Van Dyck spent the winter of 1622 in Venice, where, accompanied by Titian's nephew Cesare Vecellio, he fulfilled a long-held dream of seeing the works of Titian and Paolo Veronese; on the way he stopped in Bologna and Parma, where he admired Correggio's frescoes.

  4. 1622

    Journey to Rome

    In February 1622 Van Dyck left for Rome, where he stayed until August of that year and for most of 1623; he was introduced into the best circles of society and copied Renaissance masterpieces at the Palazzo Ludovisi and the Villa Borghese.

Todas as obras

Na mesma sala · M-042, Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Mulher

Todas as obras sobre o tema