Claes OldenburgEstados Unidos, 1929–2022Ice Bag - Scale C.
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Museu Whitney de Arte Americana
Nova Iorque, Estados Unidos
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- Museu Whitney de Arte Americana
- Imagem: Museu Whitney de Arte Americana — © the artist or rights holder
Entretanto, na vida de Claes Oldenburg
A vida inteira1960s
Happenings of the “Ray Gun Theater”
In the 1960s Oldenburg, now associated with Pop art, staged happenings he called the “Ray Gun Theater”, with Lucas Samaras, Tom Wesselmann, Carolee Schneemann and others; his first wife Patty Mucha, who sewed many of his early soft sculptures — “Floor Hamburger”, “Floor Cone”, “Floor Cake” — was a constant performer.
1969
Solo show at MoMA
In 1969 the Museum of Modern Art in New York held a solo exhibition of Oldenburg's work; the same year he contributed a drawing to the Moon Museum.
1969–1977
His relationship with Hannah Wilke
From 1969 to 1977 Oldenburg was in a relationship with the feminist artist and sculptor Hannah Wilke: they shared studios and travelled together, and she often photographed him. His marriage to Patty Mucha ended in 1970.
1970
Exhibition at the Tate Gallery
In 1970 London's Tate Gallery showed a solo exhibition of Oldenburg's work, chronicled in James Scott's twin-projection documentary “The Great Ice Cream Robbery”.
1970
Meets Coosje van Bruggen
In 1970, when his first major retrospective travelled to the Stedelijk Museum in Amsterdam, Oldenburg met Coosje van Bruggen, a curator there — his future wife and collaborator.
early 1970s
Turning to public commissions: “Three-Way Plug”
From the early 1970s Oldenburg concentrated almost exclusively on public commissions; his first public work, “Three-Way Plug”, was commissioned by Oberlin College with a grant from the National Endowment for the Arts.
