Aristide MaillolFrança, 1861–1944Hero and Leander
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Museu de Arte de Cleveland
Cleveland, Estados Unidos
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Maillol executed Hero and Leander just as he was becoming acquainted with Paul Gauguin, whose contemporaneous woodcuts must have influenced this work. However, unlike Gauguin, Maillol filled the entire surface with intricate detail and pattern. Leander lived on the Asian side of the Hellespont, the strait which separates Asia and Europe. His lover, Hero, lived on the opposite shore. Each night Leander swam across the strait to visit Hero, but one evening during a storm he drowned, the waves bearing his body to the European shore. When Hero learned of his death, she cast herself into the sea and perished.
Museu de Arte de Cleveland
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- Número de inventário
- 1992.343
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- Museu de Arte de Cleveland: os dados abertos do museu · obtido há 8 dias
- Imagem: Museu de Arte de Cleveland — Museum open access
Entretanto, na vida de Aristide Maillol
A vida inteira1892
Meets Paul Gauguin
Maillol's early painting showed the influence of Puvis de Chavannes; he joined the Nabis and mixed with Bonnard, Vuillard and Maurice Denis. His meeting with Paul Gauguin in 1892 proved decisive.
1893
A tapestry workshop in Banyuls
Gauguin encouraged his growing interest in decorative art, and in 1893 Maillol opened a tapestry workshop in Banyuls, whose technical and artistic quality earned him recognition for renewing the art in France. The medieval tapestries of The Lady and the Unicorn at the Musée de Cluny provided the spark.
1895
First terracottas: the turn to sculpture
In 1895 Maillol began making small terracotta sculptures, and within a few years sculpture had displaced his tapestry work. It was failing eyesight that drove him to sculpture, and by some accounts he first showed his works to the public in 1894.
