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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Head of Prometheus
Head of Prometheus, Henry Moore, 1950
Henry Moore, retratoHenry MooreInglaterra, 1898–1986

Head of Prometheus

1950 · Print

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1950 · aos 52 anos
18981986
Número de inventário
2006.125.11

O que mostra

Mythology

No catálogo

GravurasLitografiaArte do pós-guerraSéculo XXBritish

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — © the artist or rights holder

Entretanto, na vida de Henry Moore

A vida inteira
  1. 1940–1986

    A bomb in Hampstead: the move to Hoglands

    In September 1940 bomb shrapnel hit the Moores’ Hampstead home and they left London for Hoglands, a farmhouse in the hamlet of Perry Green near Much Hadham in Hertfordshire. It remained Moore’s home and workshop for the rest of his life; though he grew wealthy he never felt the need to move to larger premises.

  2. 1948

    The Venice Biennale prize

    In 1948 Moore won the International Sculpture Prize at the Venice Biennale.

  3. 1950s

    Assistants at Much Hadham

    In the 1950s the scale of Moore’s sculptures grew so much that he took on a growing number of assistants at Much Hadham, among them Anthony Caro, Roland Piché, Maurice Lowe and Richard Wentworth.

  4. 1951

    Turns down a knighthood

    In 1951 Moore declined a knighthood, feeling that it would make him seem an establishment figure and might cut him off from fellow artists with similar aims. He later accepted the Order of the Companions of Honour (1955) and the Order of Merit (1963).

  5. 1951

    “Reclining Figure: Festival” at the Festival of Britain

    At the 1951 Festival of Britain Moore exhibited Reclining Figure: Festival, a plaster typical of his later manner: an abstract female figure intercut with voids.

  6. 1952

    “Geometry of Fear” against Moore’s ideals

    At the 1952 Venice Biennale eight new British sculptors showed their Geometry of Fear works as a direct contrast to Moore’s ideals of endurance and continuity; his large bronze Double Standing Figure stood outside the British pavilion, in sharp contrast to the rougher, more angular works inside.

Mais obras de Henry Moore

Todas as obras
Helmet Head Number 1, Henry Moore, 1950

Helmet Head Number 1

1950 · Museu de Arte Moderna

Three Motives Against Wall, Number 1, Henry Moore, 1958

Three Motives Against Wall, Number 1

1958 · Galeria Nacional de Arte

Seated Woman, Henry Moore, designed 1958–1959; cast 1975

Seated Woman

designed 1958–1959; cast 1975 · Museu J. Paul Getty

Stone Memorial, Henry Moore, 1961/1969

Stone Memorial

1961/1969 · Galeria Nacional de Arte

Knife Edge Mirror Two Piece, Henry Moore, 1976-1978

Knife Edge Mirror Two Piece

1976-1978 · Galeria Nacional de Arte

Bronze Form, Henry Moore, 1985

Bronze Form

1985 · Museu J. Paul Getty

Warrior with Shield, Henry Moore, 1953–54

Warrior with Shield

1953–54 · Instituto de Artes de Minneapolis

Helmet Head, Henry Moore, 1952

Helmet Head

1952 · Museu de Arte de Cleveland

Vizinhas de sala: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888