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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Halting to Make a Sketch
Halting to Make a Sketch, George Catlin, 1854/1869
George Catlin, retratoGeorge CatlinEstados Unidos, 1796–1872

Halting to Make a Sketch

1854/1869 · Painting

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1854/1869
17961872
Número de inventário
1965.16.307

O que mostra

PainterArtSouth American IndianPampa del Sacramento

No catálogo

PinturasÓleoPintura norte-americanaRealismoSéculo XIXAmerican

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access

Entretanto, na vida de George Catlin

A vida inteira
  1. 1852

    Bankruptcy and sale of the Indian Gallery

    Bankrupt through debt, he is forced to sell a large part of the collection of 607 paintings (other accounts say all of it); the Philadelphia industrialist Joseph Harrison takes the paintings and artifacts as security and stores them in a factory in Philadelphia.

  2. 1852–1857

    Travels in South and Central America

    He travels through South and Central America and then again through the Wild West, reaching Alaska (other accounts say only the American West Coast).

  3. 1852–1872

    Re-creating the lost collection

    Over the last 15–20 years of his life, despite poor health and near-total deafness, he re-creates the collection, painting more than 400 pictures; based on the outlines of his 1830s works, this second set is known as the “Cartoon Collection”.

  4. 1862

    The Breath of Life and a theory against mouth breathing

    Drawing on his observations of Native Americans, who preferred breathing through the nose (mothers closed their babies’ mouths in sleep), he sets out in this book a theory of the harm of mouth breathing; it met with skepticism in scientific and medical circles. The book was later retitled Shut Your Mouth and Save Your Life.

  5. 1868

    “Last Rambles” among the Rocky Mountains and the Andes

    In London he publishes the account of his later journeys among the Indians of the Rocky Mountains and the Andes, the record of his travels of the 1850s.

  6. 1870

    Returns to the United States

    He returns to the United States after more than three decades away (other accounts say 1871); his work still finds no buyers.

Mais obras de George Catlin

Todas as obras
Distant View of the Mandan Village, George Catlin, 1832

Distant View of the Mandan Village

1832 · Museu Smithsoniano de Arte Americana

Mouth of the Platte River, 900 Miles above St. Louis, George Catlin, 1832

Mouth of the Platte River, 900 Miles above St. Louis

1832 · Museu Smithsoniano de Arte Americana

Seet-sé-be-a, Midday Sun, a Pretty Girl, George Catlin, 1832

Seet-sé-be-a, Midday Sun, a Pretty Girl

1832 · Museu Smithsoniano de Arte Americana

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior, George Catlin, 1832

Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior

1832 · Museu Smithsoniano de Arte Americana

Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee, George Catlin, 1832

Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee

1832 · Museu Smithsoniano de Arte Americana

River Bluffs, 1320 Miles above St. Louis, George Catlin, 1832

River Bluffs, 1320 Miles above St. Louis

1832 · Museu Smithsoniano de Arte Americana

Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief, George Catlin, 1832

Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief

1832 · Museu Smithsoniano de Arte Americana

I-o-wáy, One of Black Hawk's Principal Warriors, George Catlin, 1832

I-o-wáy, One of Black Hawk's Principal Warriors

1832 · Museu Smithsoniano de Arte Americana

Vizinhas de sala: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888