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Gemaskerd bal, Jean Charles Flipart, 1712 - 1751
Jean Charles FlipartFrança, 1682–1751

Gemaskerd bal

1712 - 1751 · Print

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Onde está «Gemaskerd bal» hoje? Coleção: Museu Estatal de Amesterdão, Amesterdão. Desconhecido.

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

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Fonte
O museu
No mapaPágina do museu

Pormenores

Número de inventário
RP-P-1954-224

O que mostra

Masquerade, masked ballVenice

No catálogo

GravurasBarrocoSéculo XVIII

Fontes

Mais obras de Jean Charles Flipart

Todas as obras
Portret van René Choppin, Jean Charles Flipart, 1693 - 1723

Portret van René Choppin

1693 - 1723 · Museu Estatal de Amesterdão

Maria met Kind, Jean Charles Flipart, 1729 - 1742

Maria met Kind

1729 - 1742 · Museu Estatal de Amesterdão

Scène uit L'Illusion comique met figuren rond een tafel in de buitenlucht bij nacht, Jean Charles Flipart, 1764

Scène uit L'Illusion comique met figuren rond een tafel in de buitenlucht bij nacht

1764 · Museu Estatal de Amesterdão

Christ in the Garden of Olives, Jean Charles Flipart, 18th century

Christ in the Garden of Olives

18th century · Não exposta · Harvard Art Museums

The Holy Virgin, Jean Charles Flipart, 18th century

The Holy Virgin

18th century · Não exposta · Harvard Art Museums

The Pet Bird, Jean Charles Flipart, 18th century

The Pet Bird

18th century · Não exposta · Harvard Art Museums

No mesmo museu: Museu Estatal de Amesterdão

Página do museu
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

A Ronda Nocturna, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Jonge vrouw in gefantaseerde kleding, Rembrandt van Rijn, 1633

Rembrandt van Rijn

Jonge vrouw in gefantaseerde kleding, 1633

Sobre o mesmo tema · Venice

Todas as obras sobre o tema
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

Galeria Nacional de Arte

Piazza San Marco, Canaletto, late 1720s

Canaletto

Piazza San Marco, late 1720s

Museu Metropolitano de Arte

Venetiaanse pantoffelparade, Giovanni Battista Tiepolo, 1740 - 1760

Giovanni Battista Tiepolo

Venetiaanse pantoffelparade, 1740 - 1760

Museu Estatal de Amesterdão

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Não exposta · Galeria Nacional de Arte

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

Galeria Nacional de Arte

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Não exposta · Galeria Nacional de Arte

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

Galeria Nacional de Arte

Venice, from the Porch of Madonna della Salute, Joseph Mallord William Turner, ca. 1835

Joseph Mallord William Turner

Venice, from the Porch of Madonna della Salute, ca. 1835

Museu Metropolitano de Arte