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Garveyites in Parade, James VanDerZee, 1924
James Van Der Zee, retratoJames Van Der ZeeEstados Unidos, 1886–1983

Garveyites in Parade

1924 · Photograph

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Art Institute of Chicago

Chicago, Estados Unidos

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Número de inventário
2021.6

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African AmericanPeople

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FotografiasProva de gelatina e prataModernismoSéculo XXEstados Unidos

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Mais obras de James Van Der Zee

Todas as obras
Couple, Harlem, James Van Der Zee, 1932

Couple, Harlem

1932 · Museu de Arte Moderna

The Heiress, James Van Der Zee, 1938

The Heiress

1938 · Museu de Arte Moderna

Rose's Dream, James Van Der Zee, 1929

Rose's Dream

1929 · Instituto de Artes de Minneapolis

Mrs. Turner, Lenox, Massachusetts, James Van Der Zee, 1905, printed 1974

Mrs. Turner, Lenox, Massachusetts

1905, printed 1974 · Não exposta · Galeria Nacional de Arte

James Van Der Zee: Eighteen Photographs, James Van Der Zee, 1905–1939, printed 1974

James Van Der Zee: Eighteen Photographs

1905–1939, printed 1974 · Não exposta · Galeria Nacional de Arte

Whittier Preparatory School, Phoebus, Virginia, James Van Der Zee, 1907, printed 1974

Whittier Preparatory School, Phoebus, Virginia

1907, printed 1974 · Não exposta · Galeria Nacional de Arte

The Van Der Zee Men, Lenox, Massachusetts, James Van Der Zee, 1908, printed 1974

The Van Der Zee Men, Lenox, Massachusetts

1908, printed 1974 · Não exposta · Galeria Nacional de Arte

Kate and Rachel Van Der Zee, Lenox, Massachusetts, James Van Der Zee, 1909, printed 1974

Kate and Rachel Van Der Zee, Lenox, Massachusetts

1909, printed 1974 · Não exposta · Galeria Nacional de Arte

No mesmo museu: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Sobre o mesmo tema · African American

Todas as obras sobre o tema
Plate Number 6. Walking, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 6. Walking, 1887

Não exposta · Galeria Nacional de Arte

Plate Number 126. Descending stairs, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 126. Descending stairs, 1887

Não exposta · Galeria Nacional de Arte

Nurse Midwife Maude Callen, New Dresses, W. Eugene Smith, 1951

W. Eugene Smith

Nurse Midwife Maude Callen, New Dresses, 1951

Não exposta · Galeria Nacional de Arte

Langston Hughes, Chicago, Gordon Parks, December 1941

Gordon Parks

Langston Hughes, Chicago, 1941

Não exposta · Galeria Nacional de Arte

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), Gordon Parks, October 1943

Gordon Parks

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), 1943

Não exposta · Galeria Nacional de Arte

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), 1943

Não exposta · Galeria Nacional de Arte

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), Gordon Parks, October 1943

Gordon Parks

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), 1943

Não exposta · Galeria Nacional de Arte

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), 1943

Não exposta · Galeria Nacional de Arte