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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Fresh Eggs
Fresh Eggs, Winslow Homer, 1874
Winslow Homer, retratoWinslow HomerEstados Unidos, 1836–1910

Fresh Eggs

1874 · Drawing

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
anteontem
Neste estado desde
19 de ago. de 2026
Fonte
Os dados da própria coleção do museu
No mapaPágina do museu

Pormenores

1874 · aos 38 anos
18361910
Número de inventário
1994.59.26

O que mostra

FemaleDomestic activitiesRoosterBarn interior

No catálogo

Desenhos e aguarelasAguarelaRealismoImpressionismoSéculo XIXAmericanRealist

Fontes

  • Galeria Nacional de Arte: os dados abertos do museu · obtido há 8 dias
  • Imagem: Galeria Nacional de Arte — Museum open access

Entretanto, na vida de Winslow Homer

A vida inteira
  1. summer 1873

    Summer in Gloucester: watercolour begins

    In the summer of 1873 in Gloucester Homer began painting in watercolour regularly, naturally and confidently from the start; critics were puzzled at first (“A child with an ink bottle could not have done worse”), but the watercolours sold more readily and considerably improved his finances. From then on he seldom travelled without paper, brushes and water-based paints.

  2. 1875

    Gives up illustration for painting

    In 1875 Homer, after nearly twenty years as an illustrator, quit commercial illustration and vowed to live on his paintings and watercolours alone. Despite his excellent critical reputation, his finances remained precarious.

  3. 1876

    The Centennial Exposition in Philadelphia

    “Snap the Whip” and “Breezing Up” were shown at the Centennial Exposition; the New York Tribune wrote that it could not remember a picture in any exhibition that could be named alongside “Breezing Up”. Henry James confessed that he detested Homer's subjects of the time, yet “to reward his audacity, he has incontestably succeeded”.

  4. c. 1876

    Visits to Virginia

    Around 1876 Homer visited Petersburg, Virginia (apparently to see what had become of the lives of former slaves), and painted rural African American life, the most unaffected views of it at the time, such as “Dressing for the Carnival” (1877).

Mais obras de Winslow Homer

Todas as obras
The Veteran in a New Field, Winslow Homer, 1865

The Veteran in a New Field

1865 · Museu Metropolitano de Arte

The Gulf Stream, Winslow Homer, 1899; reworked by 1906

The Gulf Stream

1899; reworked by 1906 · Museu Metropolitano de Arte

Home, Sweet Home, Winslow Homer, c. 1863

Home, Sweet Home

c. 1863 · Galeria Nacional de Arte

Prisoners from the Front, Winslow Homer, 1866

Prisoners from the Front

1866 · Museu Metropolitano de Arte

The Studio, Winslow Homer, 1867

The Studio

1867 · Museu Metropolitano de Arte

Coming through the Rye, Winslow Homer, 1867

Coming through the Rye

1867 · Museu Metropolitano de Arte

The Dinner Horn (Blowing the Horn at Seaside), Winslow Homer, 1870

The Dinner Horn (Blowing the Horn at Seaside)

1870 · Galeria Nacional de Arte

Rainy Day in Camp, Winslow Homer, 1871

Rainy Day in Camp

1871 · Museu Metropolitano de Arte

Vizinhas de sala: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888