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Flirt, Félicien Rops, 1894
Félicien Rops, retratoFélicien RopsFrança, 1833–1898

Flirt

1894 · Print

Será possível contemplá-la?

De momento, não recebe

Art Institute of Chicago

Chicago, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
anteontem
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1894 · aos 61 anos
18331898
Número de inventário
1927.5278

No catálogo

GravurasÁgua-forteImpressionismoSéculo XIXBélgica

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — CC0

Entretanto, na vida de Félicien Rops

A vida inteira
  1. 1871–1898

    Travels across Europe and North Africa

    During his Paris years Rops travels extensively throughout Europe — from capital cities and art centres to salmon fishing in Norway and Sweden and ventures into the Hungarian back country — and also to Spain and North Africa.

  2. April 1892

    An accident with bichlorate of potassium

    In late April 1892, busy with an engraving, Rops accidentally gets bichlorate of potassium in his eye and would undoubtedly have lost his sight without the intervention of the ophthalmologist Georges Camuset, an acquaintance; by some accounts his sight is greatly impaired afterwards, by others it eventually recovers.

  3. 1895–1896

    Frontispieces for Mallarmé and Verlaine

    For Stéphane Mallarmé’s “Poésies” Rops creates the frontispiece “The Lyre” (1895), and for Paul Verlaine’s “Chair” (“Flesh”) the frontispiece “Parallelism” (1896).

  4. 15 June 1896

    The review “La Plume” devotes an issue to Rops

    The literary review “La Plume” publishes a special tribute issue (no. 172) devoted exclusively to Rops, in which Puvis de Chavannes, Huysmans, Octave Mirbeau, Joséphin Péladan and José-Maria de Heredia praise his work; the illustrations to “Les Diaboliques” and the “Les Sataniques” series are singled out.

  5. July 1896

    A will in favour of the Duluc sisters

    Anticipating legal challenges from his estranged wife Charlotte, his son Paul and his judge father-in-law, and with his health slowly deteriorating, Rops leaves everything to the Duluc sisters; later, on a doctor’s orders, he spends some time in the south of France, but it brings little relief. The disputes do arise: the sisters successfully resist Paul’s attempts to remove his father from their care, and compromises are reached on other matters.

Mais obras de Félicien Rops

Todas as obras
Oude-Kate, Félicien Rops

Oude-Kate

Não exposta · Galeria Nacional de Arte

Satan Sowing Tare (Satan semant l'ivraie), Félicien Rops

Satan Sowing Tare (Satan semant l'ivraie)

Não exposta · Galeria Nacional de Arte

The Train of Maris (Le train de Maris), Félicien Rops

The Train of Maris (Le train de Maris)

Não exposta · Galeria Nacional de Arte

Le Rydeack, Félicien Rops

Le Rydeack

Não exposta · Galeria Nacional de Arte

The Little Potato Peeler (La petite peleuse de pommes de terre), Félicien Rops

The Little Potato Peeler (La petite peleuse de pommes de terre)

Não exposta · Galeria Nacional de Arte

The Sparrow of Lesbie (Le moineau de Lesbie), Félicien Rops

The Sparrow of Lesbie (Le moineau de Lesbie)

Não exposta · Galeria Nacional de Arte

The Falconer (La fauconniere), Félicien Rops

The Falconer (La fauconniere)

Não exposta · Galeria Nacional de Arte

Die Absinthtrinkerin, Félicien Rops

Die Absinthtrinkerin

Albertina

Vizinhas de sala: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942