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File Room, Dayanita Singh, 2011
Dayanita Singh, retratoDayanita SinghÍndia, 1961

File Room

2011 · Photograph

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Art Institute of Chicago

Chicago, Estados Unidos

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Sobre a obra

In India, archivists design their own structures, whether it be metal or wood, and most of the time also design their own catalogue systems. I find the thought of the secrets and knowledge contained in all that paper deeply moving.

—Dayanita Singh, 2013

Art Institute of ChicagoCC BY 4.0

Pormenores

Número de inventário
2018.172a-e

O que mostra

India

No catálogo

FotografiasImpressão a jato de tintaArte contemporâneaSéculo XXIContemporaryÍndia

Fontes

Mais obras de Dayanita Singh

Todas as obras
My first year of happiness in my life was with Ayesha, never before had I been so happy, from the series "Myself Mona Ahmed", Dayanita Singh, 1990, printed 2008

My first year of happiness in my life was with Ayesha, never before had I been so happy, from the series "Myself Mona Ahmed"

1990, printed 2008 · Não exposta · Art Institute of Chicago

To my left is my Guru Chaman, and to my right is my guru's eunuch brother Dugi, from the series "Myself Mona Ahmed", Dayanita Singh, 1990, printed 2008

To my left is my Guru Chaman, and to my right is my guru's eunuch brother Dugi, from the series "Myself Mona Ahmed"

1990, printed 2008 · Não exposta · Art Institute of Chicago

Ayesha fulfilled my dream of becoming a mother, so I celebrated her first birthday for 3 days and 3 nights and invited over 2000 eunuchs from India, Pakistan and Bangladesh, from the series "Myself Mona Ahmed", Dayanita Singh, 1990, printed 2008

Ayesha fulfilled my dream of becoming a mother, so I celebrated her first birthday for 3 days and 3 nights and invited over 2000 eunuchs from India, Pakistan and Bangladesh, from the series "Myself Mona Ahmed"

1990, printed 2008 · Não exposta · Art Institute of Chicago

We have the same gestures, even though Ayesha was not born from my stomach, from the series "Myself Mona Ahmed", Dayanita Singh, 1991, printed 2008

We have the same gestures, even though Ayesha was not born from my stomach, from the series "Myself Mona Ahmed"

1991, printed 2008 · Não exposta · Art Institute of Chicago

Taking Ayesha to school, from the series "Myself Mona Ahmed", Dayanita Singh, 1992, printed 2008

Taking Ayesha to school, from the series "Myself Mona Ahmed"

1992, printed 2008 · Não exposta · Art Institute of Chicago

We lie around like a normal mother and daughter, from the series "Myself Mona Ahmed", Dayanita Singh, 1992, printed 2008

We lie around like a normal mother and daughter, from the series "Myself Mona Ahmed"

1992, printed 2008 · Não exposta · Art Institute of Chicago

For Ayesha's third birthday, we hired a live band and dressed Ayesha like an English girl, from the series "Myself Mona Ahmed", Dayanita Singh, 1993, printed 2008

For Ayesha's third birthday, we hired a live band and dressed Ayesha like an English girl, from the series "Myself Mona Ahmed"

1993, printed 2008 · Não exposta · Art Institute of Chicago

When I went to give blessings, I loved to talk to the women and to hear their joys and sorrows, , from the series "Myself Mona Ahmed", Dayanita Singh, 1994, printed 2008

When I went to give blessings, I loved to talk to the women and to hear their joys and sorrows, , from the series "Myself Mona Ahmed"

1994, printed 2008 · Não exposta · Art Institute of Chicago

No mesmo museu: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Sobre o mesmo tema · India

Todas as obras sobre o tema
Peter Orlovsky smoking Indian Hemp, November 1962 at Konarak beside fallen segment of stone sculpture —, Allen Ginsberg, 1962, printed later

Allen Ginsberg

Peter Orlovsky smoking Indian Hemp, November 1962 at Konarak beside fallen segment of stone sculpture —, 1962, printed later

Não exposta · Galeria Nacional de Arte

Warfront Study, Cecil Beaton, 1944

Cecil Beaton

Warfront Study, 1944

Não exposta · Galeria Nacional de Arte

Mount Kinchinjunga (All Things Fair), Edward Lear, 1874

Edward Lear

Mount Kinchinjunga (All Things Fair), 1874

Não exposta · Galeria Nacional de Arte

Title from caption on object: “Gandhi as Pictured by Bourke-White”, Margaret Bourke-White, April 1946, printed later

Margaret Bourke-White

Title from caption on object: “Gandhi as Pictured by Bourke-White”, April 1946, printed later

Não exposta · Galeria Nacional de Arte

View of a tomb in India from the time of Emperor Akbar, India, anonymous, c. 1875 - in or before 1885

anonymous

View of a tomb in India from the time of Emperor Akbar, India, c. 1875 - in or before 1885

Museu Estatal de Amesterdão

Drie soorten Indiase geestelijken, anonymous, 1672

anonymous

Drie soorten Indiase geestelijken, 1672

Museu Estatal de Amesterdão

Quay with cattle, carts and schips, Kolkata, West Bengal, India, anonymous, c. 1865 - c. 1875

anonymous

Quay with cattle, carts and schips, Kolkata, West Bengal, India, c. 1865 - c. 1875

Museu Estatal de Amesterdão

Man klimt een ladder omhoog uit een diepe put om een pagode binnen te komen, anonymous, 1672

anonymous

Man klimt een ladder omhoog uit een diepe put om een pagode binnen te komen, 1672

Museu Estatal de Amesterdão