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  1. Coleção/
  2. Museu Smithsoniano de Arte Americana/
  3. Festive Scene
Festive Scene, Jan Miense Molenaer, ca. 1650
Jan Miense Molenaer, retratoJan Miense MolenaerPaíses Baixos, 1610–1668

Festive Scene

ca. 1650 · Painting · 53.3 × 80.6 cm

Será possível contemplá-la?

Desconhecido

Museu Smithsoniano de Arte Americana

Washington, D.C., Estados Unidos

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a pintura

Festive Scene conjures chimney smoke, bleating pipes, and boozy sweat. Revelers dance and drink in a dark tavern, where a spotted dog snoozes in spite of the racket. This is one of many humorous tavern interiors painted by the Dutch master Jan Miense Molenaer. (Westermann, “Jan Miense Molenaer in the Comic Mode,” in Weller, Jan Miense Molenaer: Painter of the Dutch Golden Age, 2002). The work was part of the collection of Ralph Cross Johnson, a Harvard-educated lawyer who was described at the time of his death as “One of the greatest patrons of art in the country” (The Washington Post, July 10, 1923). Johnson gave the Smithsonian American Art Museum (then the National Collection of Fine Arts) forty-one old-master paintings, which filled an entire gallery of the Museum. Seventeenth-century Dutch paintings were all the rage among wealthy Americans like Johnson, who amassed European art in the late nineteenth and early twentieth century, hoping that their collections would one day form the core of America’s national museums.

Museu Smithsoniano de Arte Americana

Pormenores

ca. 1650
16101668
Número de inventário
1956.11.36

O que mostra

Musical instrumentsRites and ceremoniesFestivalsRecreationMusicFigure groupDanceEntertainers

No catálogo

PinturasÓleoPintura neerlandesaBarrocoSéculo XVII

Fontes

  • Museu Smithsoniano de Arte Americana
  • Imagem: Museu Smithsoniano de Arte Americana — CC0

Entretanto, na vida de Jan Miense Molenaer

A vida inteira
  1. 1637–1648 · Local de trabalho

    Amsterdam

  2. 1648–1649 · Local de trabalho

    Heemstede

  3. 1649–1655 · Local de trabalho

    Haarlem

Mais obras de Jan Miense Molenaer

Todas as obras
Scène pastorale : Granida et Daifilo?, Molenaer, Jan Miense, 2e quart du XVIIe siècle (1632)

Scène pastorale : Granida et Daifilo?

2e quart du XVIIe siècle (1632) · Museu do Louvre

Lacemaker and Young Gamblers, Jan Miense Molenaer, c. 1634

Lacemaker and Young Gamblers

c. 1634 · Hermitage

Self-Portrait as a Lute Player, Jan Miense Molenaer, c. 1637/1638

Self-Portrait as a Lute Player

c. 1637/1638 · Galeria Nacional de Arte

De virginaalspeelster, Jan Miense Molenaer, c. 1637

De virginaalspeelster

c. 1637 · Museu Estatal de Amesterdão

A Family Merrymaking, Jan Miense Molenaer, 1638-1642

A Family Merrymaking

1638-1642 · Museu Vitória e Alberto

An Old Man and an Old Woman (A Couple Embracing Each Other), Jan Miense Molenaer, 17th century

An Old Man and an Old Woman (A Couple Embracing Each Other)

17th century · Não exposta · Hermitage

Två pojkar som leker med en katt, Jan Miense Molenaer, 1650s

Två pojkar som leker med en katt

1650s · Museu Nacional de Belas-Artes da Suécia

Drinking Bout in an Inn, Jan Miense Molenaer

Drinking Bout in an Inn

Museu Nacional de Belas-Artes da Suécia

Vizinhas de sala: Museu Smithsoniano de Arte Americana

Página do museu
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934