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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu de Arte Moderna/
  3. Evervess II 1
Evervess II 1, Joseph Beuys, 1968
Joseph Beuys, retratoJoseph BeuysAlemanha, 1921–1986

Evervess II 1

1968 · Multiple

Será possível contemplá-la?

De momento, não recebe

Museu de Arte Moderna

Nova Iorque, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 9 dias
Fonte
O museu
No mapaPágina do museu

Pormenores

1968 · aos 47 anos
19211986
Número de inventário
912.2005.a-c

No catálogo

GravurasArte do pós-guerraSéculo XX

Fontes

  • Museu de Arte Moderna
  • Imagem: Museu de Arte Moderna — © the artist or rights holder

Entretanto, na vida de Joseph Beuys

A vida inteira
  1. 1960s

    Forms the idea of “social sculpture”

    Drawing on Novalis and Schiller and on Rudolf Steiner's ideas of social threefolding, Beuys developed the concept of social sculpture: society as a whole is one great work of art to which everyone can contribute creatively (“everyone is an artist”).

  2. 1967

    Founds a party made up of students

    In June 1967, during a student demonstration in West Berlin, a participant died after a clash with the police; in response Beuys created a political party made up solely of students, demanding student self-government and free admission to university for anyone who wished.

  3. 27 de junho de 1968 – 6 de outubro de 1968

    Exhibition: 4. documenta

  4. 1969

    Calls teaching his greatest work

    In a 1969 Artforum interview with Willoughby Sharp, Beuys added to his famous statement that teaching is his greatest work of art: the rest is merely waste product and demonstration.

  5. May 1970

    In Scotland with Demarco: the idea of “7000 Oaks”

    Invited by Richard Demarco, Beuys came to Scotland; at Loch Awe and Rannoch Moor he first conceived the necessity of “7000 Oaks”.

  6. August 1970

    The 1970 Edinburgh Festival: “Arena” and “The Pack”

    In August 1970, at the Edinburgh International Festival, Beuys, with Günther Uecker, Blinky Palermo, Robert Filliou and other Düsseldorf artists, showed the retrospective “Arena” and the installation “The Pack” and performed “Celtic Kinloch Rannoch”, using a blackboard for the first time; a year later he developed the action in Basel as “Celtic+”.

Mais obras de Joseph Beuys

Todas as obras
Eurasia Siberian Symphony 1963, Joseph Beuys, 1966

Eurasia Siberian Symphony 1963

1966 · Museu de Arte Moderna

Green Violin (Grüne Geige), Joseph Beuys, Henning Christiansen, 1974

Green Violin (Grüne Geige)

1974 · Museu de Arte Moderna

Untitled, Joseph Beuys, n.d.

Untitled

n.d. · Não exposta · Museu de Arte Moderna

Untitled, Joseph Beuys, 1947 and 1970s

Untitled

1947 and 1970s · Não exposta · Museu de Arte Moderna

Untitled III, Joseph Beuys, 1948-81

Untitled III

1948-81 · Não exposta · Museu de Arte Moderna

Hind (Hirschkuh), Joseph Beuys, 1948, printed 1973-74

Hind (Hirschkuh)

1948, printed 1973-74 · Não exposta · Museu de Arte Moderna

Shallows (Wattenmeer), Joseph Beuys, 1949,  printed 1973-74

Shallows (Wattenmeer)

1949, printed 1973-74 · Não exposta · Museu de Arte Moderna

Untitled V, Joseph Beuys, 1949-82

Untitled V

1949-82 · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Museu de Arte Moderna

Página do museu
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

A Noite Estrelada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950