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Evening, San Giorgio Maggiore, Venice, Eugène Vail, c. 1900-1920
Eugène Vail, retratoEugène VailEstados Unidos, 1857–1934

Evening, San Giorgio Maggiore, Venice

c. 1900-1920 · Drawing

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Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

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Número de inventário
2015.19.572

O que mostra

ItáliaVeniceEvening

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Desenhos e aguarelasCarvãoImpressionismoModernismoSéculo XXAmerican

Fontes

Mais obras de Eugène Vail

Todas as obras
Along the Riva, Eugene Laurent Vail, n.d.

Along the Riva

n.d. · Museu Smithsoniano de Arte Americana

Barques à Concarneau, Eugène Lawrence Vail, 19th century

Barques à Concarneau

19th century · Museu de Orsay

Study for "Pêcheurs de la mer du Nord" (Study for "Fishermen of the North Sea"), Eugène Vail, c. 1893

Study for "Pêcheurs de la mer du Nord" (Study for "Fishermen of the North Sea")

c. 1893 · Não exposta · Galeria Nacional de Arte

Memory of Venice: the Palazzo Ducale and the Piazzetta, Eugène Vail, c. 1900-1920

Memory of Venice: the Palazzo Ducale and the Piazzetta

c. 1900-1920 · Não exposta · Galeria Nacional de Arte

The Piazzetta, Venice, Eugène Vail, c. 1900-1920

The Piazzetta, Venice

c. 1900-1920 · Não exposta · Galeria Nacional de Arte

Gondola, Evening in Venice, Eugène Vail, c. 1900-1920

Gondola, Evening in Venice

c. 1900-1920 · Não exposta · Galeria Nacional de Arte

Bridge, Venice, Eugène Vail, c. 1900-1920

Bridge, Venice

c. 1900-1920 · Não exposta · Galeria Nacional de Arte

Reflections, Venetian Canal, Eugène Vail, c. 1900-1920

Reflections, Venetian Canal

c. 1900-1920 · Não exposta · Galeria Nacional de Arte

No mesmo museu: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre o mesmo tema · Itália

Todas as obras sobre o tema
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

Galeria Nacional de Arte

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

Não exposta · Galeria Nacional de Arte

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Não exposta · Galeria Nacional de Arte

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

Galeria Nacional de Arte

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Não exposta · Galeria Nacional de Arte

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

Galeria Nacional de Arte

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

Não exposta · Galeria Nacional de Arte

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Não exposta · Galeria Nacional de Arte