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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Evening (Le soir)
Evening (Le soir), Paul Signac, 1898

Evening (Le soir)

1898 · Print

Pormenores

1898 · aos 35 anos
18631935
Número de inventário
1951.10.408

Entretanto, na vida de Paul Signac

A vida inteira
  1. 1895–1912

    Gifts for five lotteries and support for the arts

    Having prospered, Signac supports the arts generously: he sends regular cheques and between 1895 and 1912 gives works of his own for five lotteries.

  2. 1897

    An apartment in Hector Guimard's Castel Béranger

    In November 1897 the Signacs move into a new apartment in the Castel Béranger, built by Hector Guimard.

  3. 1897

    Buying the house La Hune in Saint-Tropez

    In December 1897 the Signacs acquire a house in Saint-Tropez named La Hune, where the painter has a vast studio built; he inaugurates it on August 16, 1898. In Saint-Tropez he invites his friends to stay.

  4. 1898–1899

    “From Eugène Delacroix to Neo-Impressionism” appears

    In 1898–1899 Signac's programmatic work “From Eugène Delacroix to Neo-Impressionism” appears, a set of rules for the artists of the new movement: any optical mixture, he argues, leads to clarity and brilliance, any material mixture to darkening and discoloration. Henri Matisse, after reading the essay, adopts the Divisionist technique in 1898.

Mais obras de Paul Signac

Todas as obras

Vizinhas de sala: Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Ship

Todas as obras sobre o tema
Paul Signac, retratoPaul SignacFrança, 1863–1935

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

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GravurasLitografiaImpressionismoSéculo XIXFrench

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access
Snow, Boulevard de Clichy, Paris, Paul Signac, 1886

Snow, Boulevard de Clichy, Paris

1886 · Instituto de Artes de Minneapolis

The Town Beach, Collioure, Opus 165 (Collioure. La Plage de la ville. Opus 165), Paul Signac, 1887

The Town Beach, Collioure, Opus 165 (Collioure. La Plage de la ville. Opus 165)

1887 · Museu Metropolitano de Arte

The Jetty at Cassis, Opus 198, Paul Signac, 1889

The Jetty at Cassis, Opus 198

1889 · Museu Metropolitano de Arte

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890, Paul Signac, 1890

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890

1890 · Museu de Arte Moderna

Notre-Dame de la Garde (La Bonne Mère), Marseille, Paul Signac, 1905–6

Notre-Dame de la Garde (La Bonne Mère), Marseille

1905–6 · Museu Metropolitano de Arte

Port de Marseilles, Paul Signac, 1907

Port de Marseilles

1907 · Hermitage

Blessing of the Tuna Fleet at Groix, Paul Signac, 1923

Blessing of the Tuna Fleet at Groix

1923 · Instituto de Artes de Minneapolis

Les Andelys, Côte d'Aval, Paul Signac, 1886

Les Andelys, Côte d'Aval

1886 · Art Institute of Chicago

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Le Centaure et le navire, Pablo Picasso, 1946

Pablo Picasso

Le Centaure et le navire, 1946

Château Grimaldi

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)", Katsushika Hokusai, 1830/33

Katsushika Hokusai

A Grande Onda de Kanagawa, 1830/33

Não exposta · Art Institute of Chicago

Ships Riding on the Seine at Rouen, Claude Monet, 1872/1873

Claude Monet

Ships Riding on the Seine at Rouen, 1872/1873

Galeria Nacional de Arte

Bateaux de peche, Honfleur/Bărci de pescari la Honfleur, Claude Monet, 1866–1867

Claude Monet

Bateaux de peche, Honfleur/Bărci de pescari la Honfleur, 1866–1867

National Museum of Art of Romania

Argenteuil, bateaux au long de la berge, Claude Monet, 1872

Claude Monet

Argenteuil, bateaux au long de la berge, 1872

Museu Mohamed Mamoud Khalil

The Barc, Agostino dei Musi after Raphael, 1515-1530

Raphael

The Barc, 1515-1530

Não exposta · Galeria Nacional de Arte

The Ship of Fortune, Rembrandt van Rijn, 1633

Rembrandt van Rijn

The Ship of Fortune, 1633

Não exposta · Galeria Nacional de Arte

The Ship of Fortune, Rembrandt van Rijn, 1633

Rembrandt van Rijn

The Ship of Fortune, 1633

Museu Estatal de Amesterdão