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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Eve
Eve, Paul Gauguin, 1890

Eve

1890 · Sculpture

Pormenores

1890 · aos 42 anos
18481903
Número de inventário
1970.30.1

Entretanto, na vida de Paul Gauguin

A vida inteira
  1. 1870s–1891 · Local de trabalho

    Paris

  2. 1886–1891 · Local de trabalho

    Pont-Aven

  3. 1887

    Panama and Martinique

    In 1887–1888 Gauguin visited Panama, where he observed the construction of the Panama Canal, and traveled on with the painter Laval to Martinique. Martinique helped bring about an evolution in his art, making Japanese influences apparent.

  4. October – December 1888

    Nine Weeks with Van Gogh in Arles

    In 1888, at Theo's insistence, Gauguin worked for nine weeks with Vincent van Gogh in his Yellow House in Arles. Their relationship deteriorated: on the evening of 23 December 1888, according to Gauguin's later account, Vincent came at him with a razor and then cut off his own ear; Gauguin left Arles, and they never saw each other again.

  5. c. 1888

    Theo van Gogh Buys Gauguin's Paintings

    Gauguin's Martinique paintings were seen at the dealer Portier's by Vincent van Gogh and his brother, the art dealer Theo, who bought three paintings for 900 francs and exhibited them at Goupil's, opening Gauguin's access to wealthy clients.

  6. 1 April 1891

    Departure for Tahiti

    On 1 April 1891, after a final visit to his wife and children in Copenhagen, Gauguin sailed for Tahiti, intending to escape European civilization and "everything that is artificial and conventional." He spent his first three months in Papeete, then set up a studio in a bamboo hut at Mataiea.

Mais obras de Paul Gauguin

Todas as obras

Na mesma sala · M-083, Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Adam and Eve

Todas as obras sobre o tema
Paul Gauguin, retratoPaul GauguinFrança, 1848–1903

Será possível contemplá-la?

Sim, recebe visitas

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Sala83 · Edifício Oeste, piso principal

Exposta ao público. Quem o garante vem indicado abaixo.

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Fonte
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O que mostra

Adam and EveOld Testament

No catálogo

EsculturaTerracota e cerâmicaImpressionismoSéculo XIXFrenchPost-Impressionist

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access
Tahitian Landscape, Paul Gauguin, 1891

Tahitian Landscape

1891 · Instituto de Artes de Minneapolis

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891

Ia Orana Maria (Ave Maria)

1891 · Museu Metropolitano de Arte

Emile Gauguin (1874–1955), the artist's son, Paul Gauguin, ca. 1877–78

Emile Gauguin (1874–1955), the artist's son

ca. 1877–78 · Museu Metropolitano de Arte

Madame Alexandre Kohler, Paul Gauguin, 1887/1888

Madame Alexandre Kohler

1887/1888 · Galeria Nacional de Arte

Breton Girls Dancing, Pont-Aven, Paul Gauguin, 1888

Breton Girls Dancing, Pont-Aven

1888 · Galeria Nacional de Arte

Still Life with Three Puppies, Paul Gauguin, 1888

Still Life with Three Puppies

1888 · Museu de Arte Moderna

Walking stick with a female nude and a Breton sabot on the handle, Paul Gauguin, ca. 1888–90

Walking stick with a female nude and a Breton sabot on the handle

ca. 1888–90 · Museu Metropolitano de Arte

Pair of Wooden Shoes (Sabots) [left], Paul Gauguin, 1889/1890

Pair of Wooden Shoes (Sabots) [left]

1889/1890 · Galeria Nacional de Arte

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Te Pape Nave Nave (Delectable Waters), Paul Gauguin, 1898

Paul Gauguin

Te Pape Nave Nave (Delectable Waters), 1898

Parau na te Varua ino (Words of the Devil), Paul Gauguin, 1892

Paul Gauguin

Parau na te Varua ino (Words of the Devil), 1892

Adam and Eve, Rembrandt van Rijn, 1638

Rembrandt van Rijn

Adam and Eve, 1638

Não exposta · Galeria Nacional de Arte

Eve Eating the Apple, Auguste Rodin, c. 1885

Auguste Rodin

Eve Eating the Apple, c. 1885

Galeria Nacional de Arte

Paradise, M.C. Escher, 1921

Maurits Cornelis Escher

Paradise, 1921

Não exposta · Galeria Nacional de Arte

Laocoön, El Greco, c. 1610/1614

El Greco

Laocoön, c. 1610/1614

Galeria Nacional de Arte

The Fall of Man (Südenfall), Max Beckmann, 1946

Max Beckmann

The Fall of Man (Südenfall), 1946

Não exposta · Galeria Nacional de Arte

The Fall of Man [middle panel], Workshop of Albrecht Altdorfer, c. 1535

Albrecht Altdorfer

The Fall of Man [middle panel], c. 1535

Não exposta · Galeria Nacional de Arte

The Rebuke of Adam and Eve, Domenichino, 1626

Domenichino

The Rebuke of Adam and Eve, 1626

Galeria Nacional de Arte

The Fall of Man, Hendrick Goltzius, 1616

Hendrick Goltzius

The Fall of Man, 1616

Galeria Nacional de Arte