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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu Gustave-Moreau/
  3. Étude d'entrelacs
Étude d'entrelacsSem fotografia
Gustave Moreau, retratoGustave MoreauFrança, 1826–1898

Étude d'entrelacs

2e moitié 19e siècle · Drawing

Será possível contemplá-la?

Desconhecido

MG
Museu Gustave-Moreau

Paris, França

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
5 de out. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

2e moitié 19e siècle
18261898
Número de inventário
Des. 9420

Entretanto, na vida de Gustave Moreau

A vida inteira
  1. 1846–1849 · Formação

    Beaux-Arts de Paris

  2. 1852

    Salon debut: the state buys his “Pietà”

    In 1852 Moreau took part in the Paris Salon for the first time, presenting a Pietà that the state bought for 600 francs. From the 1850s he exhibited with some regularity and, with his father’s help, secured commissions from the city.

  3. 1864

    A Salon medal for “Oedipus and the Sphinx”

    “Oedipus and the Sphinx”, one of Moreau’s first Symbolist paintings, won a medal at the Paris Salon of 1864 and established his reputation. One commentator likened it to a pastiche of Mantegna created by a German student who relaxes from his painting by reading Schopenhauer.

  4. 1876

    Return to the Salon: “Salome”

    After the break Moreau returned to the Salon. That year he completed “Salome Dancing before Herod”, which announced the more painterly style that would characterize his later works.

  5. 1895

    Turns his townhouse into a museum

    After finishing “Jupiter and Semele” Moreau began his last great project, a museum in his own townhouse, to make his art accessible to all and to ensure it would be preserved for future generations. He sold few works in his lifetime: only three were bought by French museums and none by foreign ones.

  6. 18 de abril de 1898

Mais obras de Gustave Moreau

Todas as obras

Da coleção: Museu Gustave-Moreau

Página do museu

Sobre o mesmo tema · Ornementation (entrelacs)

Todas as obras sobre o tema

Died

O que mostra

Ornementation (entrelacs)

No catálogo

Desenhos e aguarelasRealismoSéculo XIXFrança

Fontes

  • Museu Gustave-Moreau
  • Imagem: Museu Gustave-Moreau — © R.G. Ojeda ; Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde
Oedipus and the Sphinx, Gustave Moreau, 1864

Oedipus and the Sphinx

1864 · Museu Metropolitano de Arte

Dejanira (Autumn), Gustave Moreau, about 1872–1873

Dejanira (Autumn)

about 1872–1873 · Museu J. Paul Getty

Salome with the Head of John the Baptist, Gustave Moreau, ca. 1876

Salome with the Head of John the Baptist

ca. 1876 · Museu Metropolitano de Arte

Hercules and the Lernaean Hydra, Gustave Moreau, 1875–76

Hercules and the Lernaean Hydra

1875–76 · Art Institute of Chicago

Jacob and the Angel, Gustave Moreau, 1874-1878

Jacob and the Angel

1874-1878 · Harvard Art Museums

The Infant Moses, Gustave Moreau, c. 1876-c. 1878

The Infant Moses

c. 1876-c. 1878 · Harvard Art Museums

The Apparition, Gustave Moreau, 1876-1877

The Apparition

1876-1877 · Harvard Art Museums

The Sirens, Gustave Moreau, 1882

The Sirens

1882 · Harvard Art Museums

Portrait de Gustave Moreau, Edgar Degas, 1860 vers

Edgar Degas

Portrait de Gustave Moreau, 1860 vers

Les Lyres mortes, Gustave Moreau, 1897

Gustave Moreau

Les Lyres mortes, 1897

Le Poète et la Sirène, Gustave Moreau, 1894 vers

Gustave Moreau

Le Poète et la Sirène, 1894 vers

No image available

Gustave Moreau

Hélène glorifiée, 1893 vers

No image available

Gustave Moreau

Moïse sauvé des eaux, 1893 vers

No image available

Gustave Moreau

Galatée, 1890 vers

No image available

Gustave Moreau

La Parque et l'Ange de la Mort, 1890

No image available

Gustave Moreau

Portrait de Gustave Moreau par lui-même, 1890 vers

Canevas, Deuxieme Atelier De La Daurade, 1120-1130

Deuxieme Atelier De La Daurade

Canevas, 1120-1130

Museu dos Agostinhos

Canevas, Deuxieme Atelier De La Daurade, 1120-1130

Deuxieme Atelier De La Daurade

Canevas, 1120-1130

Museu dos Agostinhos

No image available

Léon Giron

ENTRELACS ROMANS, 2e moitié 19e siècle

Museu Crozatier

No image available

Léon Giron

ENTRELACS ROMANS, 2e moitié 19e siècle

Museu Crozatier

No image available

REGROUPEMENT DE NOMBREUX FRAGMENTS DE CHANCEL, 10e siècle

Museu Crozatier

No image available

Gustave Moreau

Étude de motif d'entrelacs, 2e moitié 19e siècle

Museu Gustave-Moreau

No image available

FRAGMENT DECORE D'ENTRELACS, 7e siècle, 8e siècle

Museu Crozatier

ENTRELACS ROMANS, Léon Giron, 2e moitié 19e siècle

Léon Giron

ENTRELACS ROMANS, 2e moitié 19e siècle

Museu Crozatier