Odilon RedonFrança, 1840–1916Er waren ook embryonale wezens
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Amesterdão, Países Baixos
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- Fonte
- O museu
Sobre a obra
Nas palavras do museu — em holandês
Een zuil en twee bollen met een gezicht, waarvan één in een doosje. Vierde prent van zes uit het album "Hommage a Goya".
Museu Estatal de Amesterdão
Pormenores
- Número de inventário
- RP-P-1922-147
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Fontes
- Museu Estatal de Amesterdão
- Imagem: Museu Estatal de Amesterdão — public domain
Na vida de Odilon Redon
A vida inteira1867–1915
Begins the journal “To Myself”
From 1867 Redon kept a journal, “À soi-même” (“To Myself”), setting out his views on art and creation; the last entries date from 1915.
1880s
Death of his firstborn son Jean
Redon and Camille’s firstborn son, Jean, died at six months old. The artist was so downcast that for a time he could not work; the birth of a second son in 1889 helped him recover from his grief.
1884
Huysmans’s novel “Against Nature” makes him known
After the publication of Joris-Karl Huysmans’s novel “À rebours” in 1884 the public began to take an interest in Redon: the book’s hero assembled a collection of art that included Redon’s drawings.
1886
The eighth Impressionist exhibition
Redon took part in the eighth and last Impressionist exhibition.
1886
Exhibitions of Les XX in Brussels
In the same year, 1886, Redon began to take part in the exhibitions of Les XX in Brussels.
![Henricus van Baelen [Porträt des Malers Hendrick van Balen; Hendrick van Balen; Portret van de schilder Hendrik van Balen (I)], Anthony van Dyck, 1630–1641](https://diglib.hab.de/varia/haum/pontius-p-icon-ab3-0003/max/000001.jpg){kind=icon}
