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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. English Black Cocks
English Black Cocks, John James Audubon, 1828
John James Audubon, retratoJohn James AudubonEstados Unidos, 1785–1851

English Black Cocks

1828 · Drawing

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
anteontem
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1828 · aos 43 anos
17851851
Número de inventário
1985.64.71

O que mostra

Bird

No catálogo

Desenhos e aguarelasAguarelaNeoclassicismoRomantismoSéculo XIXAmericanRealist

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access

Entretanto, na vida de John James Audubon

A vida inteira
  1. May – 21 July 1826

    Across the ocean with a portfolio of drawings: Liverpool

    Audubon left the United States in May 1826 and arrived in Liverpool on 21 July, going straight with a letter of introduction to the wealthy Richard Rathbone and getting to know his whole family. The exhibition of his work at the Royal Institution lasted a month, and after William Roscoe's urging the free first week gave way to paid admission: Audubon earned £100 and sold several oil copies of his drawings.

  2. November 1826

    An agreement with Lizars to publish in Edinburgh

    In Edinburgh friends introduced Audubon to the engraver William Lizars, who spent several days looking at the watercolours and decided to publish them after seeing the portrait of the peregrine falcon. They reached an agreement in November 1826, but in several months only ten images were ready, and their quality did not satisfy Audubon.

  3. spring 1827

    London: the engraver Robert Havell Jr.

    In the spring of 1827 in London Audubon learned of a strike at Lizars's workshop and began looking for a new engraver: this is how he met Robert Havell Sr. and his son Robert Havell Jr. With the help of the younger Havell four volumes of “The Birds of America” were produced.

  4. January 1827

    Edinburgh: a meeting with Walter Scott

    In January 1827, after Audubon's watercolour exhibition opened at the Royal Society of Edinburgh, the meeting with Walter Scott that he had dreamed of took place, although the writer had just been declared bankrupt and had lost his wife. Scott wrote that he wished he had gone to see the drawings, but had heard so much about them that he resolved not to see them; Audubon showed him his paintings during a second visit.

  5. February 1828

    Elected to the Linnean Society of London

    In February 1828 Audubon was elected to the Linnean Society in London and wrote several articles for scientific journals; because of his poor English the articles raised a mass of questions whose answers took up much of his time. In May a London journal published William Swainson's review of the first numbers of “The Birds of America”.

  6. October 1830

    Begins publishing the “Ornithological Biography”

    Having toured the British Isles with his wife, Audubon settled in Edinburgh in October 1830 and began publishing the “Ornithological Biography”, the text describing the species shown in “The Birds of America”. The five volumes, issued in 1831–1838, run to more than three thousand pages.

Mais obras de John James Audubon

Todas as obras
Peregrine Falcons (Duck Hawks), John James Audubon, c. 1827

Peregrine Falcons (Duck Hawks)

c. 1827 · Museu de Arte de Cleveland

Prairie Titlark, Robert Havell, Jr. after John James Audubon

Prairie Titlark

Não exposta · Galeria Nacional de Arte

Blue Yellow Back Warbler, John James Audubon, 1812

Blue Yellow Back Warbler

1812 · Não exposta · Galeria Nacional de Arte

Hermit Thrush, John James Audubon, 1820

Hermit Thrush

1820 · Não exposta · Galeria Nacional de Arte

Prairie Warbler, Robert Havell after John James Audubon, 1827

Prairie Warbler

1827 · Não exposta · Galeria Nacional de Arte

Song Sparrow, Robert Havell after John James Audubon, 1827

Song Sparrow

1827 · Não exposta · Galeria Nacional de Arte

Snow-Bird, Robert Havell after John James Audubon, 1827

Snow-Bird

1827 · Não exposta · Galeria Nacional de Arte

Great American Cock, William Home Lizars after John James Audubon, 1827

Great American Cock

1827 · Não exposta · Galeria Nacional de Arte

Vizinhas de sala: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888