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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Edward Albert
Edward Albert, Mathew B. Brady, 1860

Edward Albert

1860 · Photograph

Pormenores

1860 · aos 37 anos
18231896
Número de inventário
S/NPG.99.83

Entretanto, na vida de Mathew B. Brady

A vida inteira
  1. 1850s

    His eyesight begins to fail

    In the 1850s Brady’s eyesight begins to deteriorate; this may in part explain why he later rarely visited the battlefields himself and why many images in his collection are thought to be the work of his assistants.

  2. 1861

    Lincoln permits him to photograph the war

    Taken with the idea of documenting the war itself, Brady first asks his old friend General Winfield Scott, and then President Lincoln, for permission to send his photographers to the battle sites; Lincoln agrees in 1861 on condition that Brady finances the project himself. Despite the dangers, the financial risk and his friends’ discouragement, he said he simply had to go.

  3. 1861

    Under fire at Bull Run

    His first popular photographs of the conflict are taken at the First Battle of Bull Run, where he gets so close to the action that he barely avoids capture; later he comes under direct fire at Petersburg and Fredericksburg.

  4. 1861

    Hires photographers with travelling darkrooms

    He employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche and seventeen other men, giving each a travelling darkroom. Brady himself generally resides in Washington, organizing his assistants and rarely visiting the battlefields, so many images in his collection are the work of his assistants.

  5. 1861

    Offers parents portraits of departing soldiers

Mais obras de Mathew B. Brady

Todas as obras

Vizinhas de sala: National Portrait Gallery

Página do museu

Sobre o mesmo tema · Government

Todas as obras sobre o tema

When the Civil War begins, sales of cartes de visite to departing soldiers rise briskly; in the New-York Daily Tribune Brady runs an advertisement warning parents that it may soon be too late to capture their sons’ likenesses.

  • October 1862

    Exhibition “The Dead of Antietam”

    He opens, in his New York gallery, an exhibition of photographs of the Battle of Antietam; many of the images show corpses, a presentation new to America — the first time many Americans saw the realities of war in photographs rather than in artists’ impressions.

  • Mathew B. Brady, retratoMathew B. BradyEstados Unidos, 1823–1896

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    NPG
    National Portrait Gallery

    Washington, D.C., Estados Unidos

    O proprietário é conhecido; não se sabe se hoje está exposta.

    Neste estado desde
    5 de out. de 2026
    Fonte
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    O que mostra

    GovernmentInterior decorationWalesRetratoUnited KingdomCarte-de-visiteRulerHeadgear

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    FotografiasProva em albuminaRealismoImpressionismoSéculo XIX

    Fontes

    • National Portrait Gallery
    • Imagem: National Portrait Gallery — National Portrait Gallery, Smithsonian Institution (CC0)
    Untitled, Mathew B. Brady, 1860-70

    Untitled

    1860-70 · Não exposta · Museu de Arte Moderna

    Ernestine Souvenir, Mathew B. Brady, 1860-69

    Ernestine Souvenir

    1860-69 · Não exposta · Museu de Arte Moderna

    Untitled, Mathew B. Brady, c. 1860

    Untitled

    c. 1860 · Não exposta · Museu de Arte Moderna

    General Ulysses S. Grant, Mathew B. Brady, 1861-65

    General Ulysses S. Grant

    1861-65 · Não exposta · Museu de Arte Moderna

    President Lincoln, Mathew B. Brady, c. 1862

    President Lincoln

    c. 1862 · Não exposta · Museu de Arte Moderna

    Ruins of Richmond, Mathew B. Brady, 1863-65

    Ruins of Richmond

    1863-65 · Não exposta · Museu de Arte Moderna

    Ruins of the Gallego Flour Mills, Richmond, Virginia, Mathew B. Brady (studio of), Alexander Gardner, 1865

    Ruins of the Gallego Flour Mills, Richmond, Virginia

    1865 · Não exposta · Museu de Arte Moderna

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia, Mathew B. Brady, April 1865

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia

    April 1865 · Não exposta · Museu de Arte Moderna

    Robert F. Kennedy, Gardner Cox, 1968

    Gardner Cox

    Robert F. Kennedy, 1968

    Babe Ruth, Paolo Garretto, 1929

    Paolo Garretto

    Babe Ruth, 1929

    Alice Dunbar Nelson, Laura Wheeler Waring, 1927

    Laura Wheeler Waring

    Alice Dunbar Nelson, 1927

    Pauline Morton Sabin, Philip Alexius de László, 1926

    Philip Alexius de László

    Pauline Morton Sabin, 1926

    Adolph Ochs, Philip Alexius de László, 1926

    Philip Alexius de László

    Adolph Ochs, 1926

    Samuel Gompers, Moses Wainer Dykaar, 1924

    Moses Wainer Dykaar

    Samuel Gompers, 1924

    Alexander Graham Bell, Moses Wainer Dykaar, 1922

    Moses Wainer Dykaar

    Alexander Graham Bell, 1922

    Lillian D. Wald, William Valentine Schevill, 1919

    William Valentine Schevill

    Lillian D. Wald, 1919

    The Oval Office, Roy Lichtenstein, 1992

    Roy Lichtenstein

    The Oval Office, 1992

    Não exposta · Galeria Nacional de Arte

    The House of Representatives, Samuel F. B. Morse, 1822, probably reworked 1823

    Samuel F. B. Morse

    The House of Representatives, 1822, probably reworked 1823

    Galeria Nacional de Arte

    Farm Security Administration camp for migrant agricultural workers at Shafter, California, Dorothea Lange, June 1938

    Dorothea Lange

    Farm Security Administration camp for migrant agricultural workers at Shafter, California, June 1938

    Não exposta · Galeria Nacional de Arte

    Mark, Robert Rauschenberg, 1964

    Robert Rauschenberg

    Mark, 1964

    Não exposta · Galeria Nacional de Arte

    Le Ventre Législatif (The Legislative Belly), Honoré Daumier, 1834

    Honoré Daumier

    Le Ventre Législatif (The Legislative Belly), 1834

    Não exposta · Galeria Nacional de Arte

    Wealth and Benefits of the Spanish Monarchy under Charles III, Giovanni Battista Tiepolo, 1762

    Giovanni Battista Tiepolo

    Wealth and Benefits of the Spanish Monarchy under Charles III, 1762

    Galeria Nacional de Arte

    Roy Emerson Stryker, Gordon Parks, 1946

    Gordon Parks

    Roy Emerson Stryker, 1946

    Não exposta · Galeria Nacional de Arte

    Fort Peck Dam, Montana, Margaret Bourke-White, 1936

    Margaret Bourke-White

    Fort Peck Dam, Montana, 1936

    Não exposta · Galeria Nacional de Arte