John Everett MillaisReino Unido, 1829–1896Drawing
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Museu Vitória e Alberto
Londres, Reino Unido
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- Verificado
- há 8 dias
- Neste estado desde
- 25 de set. de 2026
- Fonte
- Os dados da própria coleção do museu
Pormenores
- Número de inventário
- E.1090-1920
Fontes
- Museu Vitória e Alberto: the museum's own open data · obtido há 8 dias
- Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Entretanto, na vida de John Everett Millais
A vida inteira1855–1857
After his marriage he changes manner: faster and dearer
Marriage changed Millais: to support his growing family he began to paint more quickly and in greater quantity and to sell his pictures dearly, moving away from Pre-Raphaelite principles. Effie became a powerful promoter of his work, and together they secured commissions and widened their circle; he gained great popularity and a fortune (up to £30,000 a year), while William Morris and other critics accused him of selling out.
1857
Ruskin calls “Sir Isumbras” a catastrophe
Ruskin called Sir Isumbras (1857), in which Millais had departed sharply from Pre-Raphaelite technique, not even a failure but a catastrophe.
19 de setembro de 1857
Son born: George Gray Millais
28 de novembro de 1858
Daughter born: Effie Gray Millais
13 de maio de 1860
Son born: Mary Hunt Millais
