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InícioMapaCatálogo
  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Dr Anthony Addington
Dr Anthony Addington, Thomas Banks, 1790
Thomas Banks, retratoThomas BanksReino Unido, 1735–1805

Dr Anthony Addington

1790 · Bust · 76 × 47 cm

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Museu Vitória e Alberto

Londres, Reino Unido

SalaSculpture, Room 22, The Dorothy and Michael Hintze Galleries

Exposta ao público. Quem o garante vem indicado abaixo.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
Os dados da própria coleção do museu
No mapaPágina do museu

Sobre a escultura

Despite the lively character of the sitter captured by the sculptor, this bust is based on a death mask. Dr Addington (1713-1790) was a distinguished doctor who specialised in the treatment of mental illness. One of his patients was King George III. Addington's son, Henry Addington, who probably commissioned this portrait, later became the British Prime Minister. This is one of the few portrait busts executed by Banks, who normally specialised in funerary monuments and ideal sculpture.

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Thomas Banks (1735-1805) was apprenticed to a London mason, but also spent time working alongside the sculptor Peter Scheemakers (1691-1781). He enrolled in the life classes held at the St Martin's Lane Academy, and later at the Royal Academy Schools. In 1772 he became the first sculptor to win the Royal Academy's three-year travelling stipend, and went with his wife to Rome, where he eventually spent seven years. He specialised in ideal works, most of which were executed in Rome for British patrons, although he continued to produce similar work after his return to London. He was made a Royal Academician in 1786. Banks was one of the most original British Neo-classical sculptors, who dedicated his work to the antique spirit rather than to the fashionable classical style alone.. He tried to establish a market for modern gallery sculpture , which was particular for most patrons at the time preferred restored antique marbles, replicas, pastiches, busts and memorials.

Museu Vitória e Alberto

Pormenores

1790 · aos 55 anos
17351805
Número de inventário
A.2-1955

O que mostra

BustAddington, Anthony (Dr)

No catálogo

EsculturaMármoreNeoclassicismoSéculo XVIIILondres

Fontes

  • Museu Vitória e Alberto: os dados abertos do museu · obtido há 12 dias
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London

Mais obras de Thomas Banks

Todas as obras
A Dying Hero, Thomas Banks, 1772-1779

A Dying Hero

1772-1779 · Museu Vitória e Alberto

Achilles Arming, Thomas Banks, ca. 1777

Achilles Arming

ca. 1777 · Museu Vitória e Alberto

Thetis and her nymphs rising from the sea to console Achilles for the loss of Patroclus, Thomas Banks, 1777-1778

Thetis and her nymphs rising from the sea to console Achilles for the loss of Patroclus

1777-1778 · Museu Vitória e Alberto

Monument to William Shakespeare, James Stow after Thomas Banks, published 1798

Monument to William Shakespeare

published 1798 · Não exposta · Galeria Nacional de Arte

A Falling Giant, William Bond after William Hilton I after Thomas Banks, published 1811

A Falling Giant

published 1811 · Não exposta · Galeria Nacional de Arte

Pyramus and Thisbe (recto); Three Male Figures with Mausoleum Floor Plan (verso), Thomas Banks, n.d. (recto); 1770/1789 or 19th c. (verso)

Pyramus and Thisbe (recto); Three Male Figures with Mausoleum Floor Plan (verso)

n.d. (recto); 1770/1789 or 19th c. (verso) · Não exposta · Art Institute of Chicago

Alderman John Boydell, Lord Mayor of London in 1790, Thomas Banks, ca. 1791

Alderman John Boydell, Lord Mayor of London in 1790

ca. 1791 · Não exposta · Museu Vitória e Alberto

Angel in Adoration, Thomas Banks, before 1792

Angel in Adoration

before 1792 · Não exposta · Museu Vitória e Alberto

Vizinhas de sala: Museu Vitória e Alberto

Página do museu
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024