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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Door knocker
Door knocker, Alfred George Stevens, ca. 1863
Alfred Stevens, retratoAlfred StevensReino Unido, 1817–1875

Door knocker

ca. 1863 · Model · 29 × 12.7 cm

Sobre a escultura

This is a model for a door-knocker executed by Alfred Stevens for Dorchester House in ca. 1863.

A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.

Continuar a ler

The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

Dorchester House was a stately mansion in Park Lane built in 1853 by Robert Stayner Holford, a wealthy landowner, art collector, and a Member of Parliament. Alfred Stevens designed and executed the fittings for Dorchester House between 1863 and 1865. The mansion was demolished in 1929.

Museu Vitória e Alberto

Pormenores

ca. 1863
18171875
Número de inventário
311-1895

Mais obras de Alfred Stevens

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Vizinhas de sala: Museu Vitória e Alberto

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Museu Vitória e Alberto

Londres, Reino Unido

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25 de set. de 2026
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Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Model for the Wellington Monument in St Paul's Cathedral

1857 · Museu Vitória e Alberto

Valour and Cowardice, Alfred George Stevens, 1866

Valour and Cowardice

1866 · Museu Vitória e Alberto

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Model for Wellington Monument: Truth and Falsehood

1867-8 · Museu Vitória e Alberto

William Blundell Spence, Alfred Stevens, 1851

William Blundell Spence

1851 · National Gallery

Woman with Book (recto); Sketches of Male Figure (verso), Alfred George Stevens, n.d.

Woman with Book (recto); Sketches of Male Figure (verso)

n.d. · Não exposta · Art Institute of Chicago

Decorative Design with Putti and Griffins, Alfred George Stevens, n.d.

Decorative Design with Putti and Griffins

n.d. · Não exposta · Art Institute of Chicago

Drawing, Alfred George Stevens

Drawing

Não exposta · Museu Vitória e Alberto

Drawing, Alfred George Stevens

Drawing

Não exposta · Museu Vitória e Alberto

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Tête de garçon II (Head of a Boy II), Pablo Picasso, 1962

Pablo Picasso

Tête de garçon II (Head of a Boy II), 1962

Não exposta · Galeria Nacional de Arte

Magnus Bischofberger, Andy Warhol, November 1984

Andy Warhol

Magnus Bischofberger, November 1984

Não exposta · Galeria Nacional de Arte

Lieven Willemsz van Coppenol: the Smaller Plate, Rembrandt van Rijn, c. 1658

Rembrandt van Rijn

Lieven Willemsz van Coppenol: the Smaller Plate, c. 1658

Não exposta · Galeria Nacional de Arte

Boy Leaning over a Lower Door, Cornelis Ploos van Amstel, after Samuel van Hoogstraten, 1763, published 1765

Rembrandt van Rijn

Boy Leaning over a Lower Door, 1763, published 1765

Não exposta · Galeria Nacional de Arte

Portrait of a Boy in Profile, Rembrandt van Rijn, 1641

Rembrandt van Rijn

Portrait of a Boy in Profile, 1641

Não exposta · Galeria Nacional de Arte

Victor Guye, Francisco Goya, 1810

Francisco de Goya

Victor Guye, 1810

Galeria Nacional de Arte

Doctor Linde's Four Sons, Edvard Munch, 1902

Edvard Munch

Doctor Linde's Four Sons, 1902

Não exposta · Galeria Nacional de Arte

Theodor Linde, Edvard Munch, 1902

Edvard Munch

Theodor Linde, 1902

Não exposta · Galeria Nacional de Arte