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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Herzog Anton Ulrich-Museum/
  3. Die Auferstehung
Die Auferstehung, Albrecht Dürer, 1512
Albrecht Dürer, retratoAlbrecht DürerAlemanha, 1471–1528

Die Auferstehung

1512 · Print

Será possível contemplá-la?

Desconhecido

Herzog Anton Ulrich-Museum

Brunsvique, Alemanha

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1512 · aos 41 anos
14711528

Entretanto, na vida de Albrecht Dürer

A vida inteira
  1. 1507–1528 · Local de trabalho

    Nuremberg

  2. 1511

    Publishes the Great Passion and the Life of the Virgin

    Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.

  3. 1512

    Emperor Maximilian I becomes his chief patron

    From 1512 Emperor Maximilian I was Dürer's chief patron. For him Dürer and his workshop produced the Triumphal Arch, a giant woodcut 295 × 357 cm printed from 192 blocks and modelled on the triumphal arches of ancient Rome.

  4. 3 January 1512

    Nuremberg's privilege against forgeries

    Nuremberg's city council granted Dürer a privilege for the sale of his prints, with penalties for anyone who forged them.

  5. 1513–1516

    Three years without painting

    Complaining that painting did not pay enough to justify the time compared with his prints, Dürer produced no paintings from 1513 to 1516.

  6. 1514

    Death of his mother

    In the year of Melencolia I and St Jerome in His Study, the artist's mother, Barbara Holper, died.

Mais obras de Albrecht Dürer

Todas as obras

Da coleção: Herzog Anton Ulrich-Museum

Página do museu

Sobre o mesmo tema · Auferstehung

Todas as obras sobre o tema

O que mostra

Christus, der in der Regel eine Fahne hält, steigt aus dem Grab (zusätzlich sind häufig schlafende und/oder erschrockene Soldaten dargestellt)AuferstehungCristoPassion

No catálogo

GravurasRenascimentoSéculo XVI

Fontes

  • Herzog Anton Ulrich-Museum
  • Imagem: Herzog Anton Ulrich-Museum — CC BY-NC-SA 4.0
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · Museu Metropolitano de Arte

Female Nude Seen from Behind, Albrecht Dürer, early 17th century

Female Nude Seen from Behind

early 17th century · Museu Metropolitano de Arte

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

Madona de Haller

c. 1496/1499 · Galeria Nacional de Arte

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · Galeria Nacional de Arte

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · Museu Metropolitano de Arte

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · Museu de Arte de Cleveland

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · Museu de Arte de Cleveland

The Lamentation, Albrecht Dürer, 1507

The Lamentation

1507 · Museu de Arte de Cleveland

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771

Die Auferstehung Christi, Albrecht Dürer, 1630–1673

Albrecht Dürer

Die Auferstehung Christi, 1630–1673

Herzog Anton Ulrich-Museum

Christus erscheint seiner Mutter, Albrecht Dürer, 1509

Albrecht Dürer

Christus erscheint seiner Mutter, 1509

Herzog Anton Ulrich-Museum

Die Auferstehung, Albrecht Dürer, 1509

Albrecht Dürer

Die Auferstehung, 1509

Herzog Anton Ulrich-Museum

Das Jüngste Gericht, Jacopo Tintoretto, 1627–1642

Jacopo Tintoretto

Das Jüngste Gericht, 1627–1642

Herzog Anton Ulrich-Museum

Die Auferstehung Christi, Paolo Veronese, 1570–1575

Paolo Veronese

Die Auferstehung Christi, 1570–1575

Pinacoteca dos Mestres Antigos

[Das Paradies; Le Paradis], Jacques Callot, 1610–1611

Jacques Callot

[Das Paradies; Le Paradis], 1610–1611

Herzog Anton Ulrich-Museum

[Christus als Welterlöser; Le Sauveur], Jacques Callot, 1631–1632

Jacques Callot

[Christus als Welterlöser; Le Sauveur], 1631–1632

Herzog Anton Ulrich-Museum

[Die Auferstehung des Lazarus; Il ressuscite Lazare], Jacques Callot, 1635

Jacques Callot

[Die Auferstehung des Lazarus; Il ressuscite Lazare], 1635

Herzog Anton Ulrich-Museum