RaphaelItália, 1483–1520Dido
Será possível contemplá-la?
De momento, não recebe
Washington, D.C., Estados Unidos
Pertence à coleção, mas de momento não está exposta.
- Verificado
- Neste estado desde
- Fonte
- O museu
Pormenores
- Número de inventário
- 1941.1.60
O que mostra
No catálogo
Fontes
- Galeria Nacional de Arte
- Imagem: Galeria Nacional de Arte — Museum open access
Entretanto, na vida de Raphael
A vida inteirac. 1504 – c. 1508 · Local de trabalho
Florence
1508
Moves to Rome at the invitation of Julius II
The new pope, Julius II, invited Raphael to Rome, perhaps at the suggestion of his architect Bramante, a distant relative of the artist. Unlike Michelangelo, kept waiting for months after his summons, Raphael was immediately commissioned to fresco what was to become the pope's private library, a far larger commission than any he had had before.
1508–1520 · Local de trabalho
Rome
c. 1510
Marcantonio Raimondi engraves his designs
Raphael made no prints himself, but his pupils and assistants, above all Marcantonio Raimondi, engraved his drawings; around 1510 came “The Judgement of Paris”. The prints were sold in street shops and bought by maiolica painters, jewellers and carvers.
1511
Under the spell of Michelangelo's ceiling
According to Vasari, Bramante let Raphael into the Sistine Chapel secretly, and while painting the Stanza he was clearly influenced by Michelangelo's ceiling, as in his portrait of Michelangelo himself as Heraclitus in “The School of Athens”. Michelangelo accused him of plagiarism and years later complained that “everything he knew about art he got from me”.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
