Design for a mace

1614–1669 · Local de trabalho

Rome

early 1620s

Meets Marcello Sacchetti

His acquaintance with the Marchese Marcello Sacchetti, later papal treasurer, proved decisive for his early career: it was his copy of Raphael's “Galatea” that caught Sacchetti's eye. For Sacchetti Pietro painted “The Sacrifice of Polyxena” and “The Triumph of Bacchus” (now in the Capitoline Museums), and through him he met the poet Giambattista Marino.

1622–1623

Frescoes in the Palazzo Mattei

Under the direction of Agostino Ciampelli, Pietro took part in the fresco decoration of the Palazzo Mattei in Rome — the Mattei family were among his first patrons.

c. 1626

Meets Pope Urban VIII

In the Sacchetti circle Pietro met Pope Urban VIII Barberini and his nephew Cardinal Francesco Barberini. The pope recognised his talent before others and became his chief patron; the Barberini tapestry works wove the series “The History of Alexander the Great” and “From the Life of Pope Urban VIII” after Cortona's designs.

1626

The Sacchetti commission: canvases and frescoes at Castelfusano

In 1626 the Sacchetti family commissioned three large canvases (“The Sacrifice of Polyxena”, “The Triumph of Bacchus” and “The Rape of the Sabine Women”; other accounts date the first two to the early 1620s) and a fresco cycle in their villa at Castelfusano near Ostia. The young Andrea Sacchi was in his team.